Out Quotes (page 130)
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He looks at Mama out of the corner of his eye, again surprised by how little she is. As if all of her life has been a slow process of shrinkage.
But just what is that shrinkage?
Is it the real shrinkage of a person abandoning his adult dimensions and starting on the long journey through old age and death toward distances where there is only a nothingness without dimension?
Milan Kundera
Your favorite colour . . . it's green?"That's right." Then I think of something to add. "And yours is orange."Orange?" He seems unconvinced."Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always...
Suzanne Collins
He would have admired one of those fantastic visions, those magic apparitions one sometimes sees in the great theaters of Europe, in which the deafening melodies of an orchestra are made to appear among a deluge of light, a torrent of oriental diamonds and gold surrounded by a diaphanous mist, from which a deity, a sylph comes forward, her feet barely touching the floor encircled and accompanied by a luminous cloud. In her wake flowers shoot forth, a dance bursts out, harmonies awaken, and...
Jose Rizal
In general, one's memories of any period must necessarily weaken as one moves away from it. One is constantly learning new facts, and old ones have to drop out to make way for them. At twenty I could have written the history of my schooldays with an accuracy which would be quite impossible now. But it can also happen that one's memories grow sharper after a long lapse of time, because one is looking at the past with fresh eyes and can isolate and, as it were, notice facts which previously...
George Orwell
TV and popular film and most kinds of 'low' art-- which just means art whose primary aim is to make money-- is lucrative precisely because it recognizes that audiences prefer 100 percent pleasure to the reality that tends to be 49 percent pleasure and 51 percent pain. Whereas 'serious' art, which is not primarily about getting money out of you, is more apt to make you uncomfortable, or to force you to work hard to access its pleasures, the same way that in real life true pleasure is usually...
David Foster Wallace
Doubtless Catherine marked the difference between her friends, as one came in and the other went out. The contrast resembled what you see in exchanging a bleak, hilly, coal country for a beautiful fertile valley; and his voice and greeting were as opposite as his aspect."- Emily Bronte, Wuthering Heights, Ch. 8
Emily Bronte
When I was a child, I thought grown-ups and teachers knew the truth, because they told me they did. It took years for me to discover that the first step in finding out the truth is to begin unlearning almost everything adults had taught me, and to start doing all the things they'd told me NOT to do. Their main pitch was that achievement equaled happiness, when all you had to do was study rock stars, or movie stars, or them, to see that they were mostly miserable. They were all running around...
Anne Lamott
Listen, lady," he said in a high voice, "if I had of been there [to see Jesus raise the dead] I would of known and I wouldn't be like I am now." His voice seemed about to crack and the grandmother's head cleared for an instant. She saw the man's face twisted close to her own as if he were going to cry and she murmured, "Why you're one of my babies. You're one of my own children!" She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her...
Flannery O'Connor
I'm not going to tell anybody, not even Lilly. Lilly would NOT understand. NOBODY would understand. Because nobody I know has ever been in this situation before. Nobody ever went to bed one night as one person and then woke up the next morning to find out that she was somebody completely different.
Meg Cabot
When I go away from you. The world beats dead. Like a slackened drum. I call out for you against the jutted stars. And shout into the ridges of the wind. Streets coming fast, One after the other, Wedge you away from me, And the lamps of the city prick my eyes. So that I can no longer see your face. Why should I leave you, To wound myself upon the sharp edges of the night?
Amy Lowell