Parachute Quotes (displaying: 1 - 30 of 46 quotes )
My mockingjay pin now lives with Cinna's outfit, but there's the gold locket and the silver parachute with the spile and Peeta's pearl. I knot the pearl into the corner of the parachute, bury it deep in the recesses of the bag, as if it's Peeta's life and no one can take it away as long as I guard it.
I no longer feel allegiance to these monsters called human beings, despise being one myself. I think that Peeta was onto something about us destroying one another and letting some decent species take over. Because something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences. You can spin it any way you like. Snow thought the Hunger Games were an efficient means of control. Coin thought the parachutes would expedite the war. But in the end, who does it benefit? No one. The truth is, it benefits no one to live in a world where these things happen.
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin."It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand. "About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him.
At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in thegarden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love.
It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. The fetus bailed out without a parachute. It landed in the sideline Astroturf, so upsetting the cheerleaders that for the remained of the afternoon their rahs were more like squeaks.
They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself. Because something is significantly wrong with a creature that sacrifies its children’s lives to settle its differences. You can spin it any way you like. Snow thought the Hunger Games were an efficient means of control. Coin thought the parachutes would expedite the war. But in the end, who does it benefit? No one. The truth is, it benefits no one to live in a world where these things happen.
Sure you can manage that broom, Potter?" said a cold, drawling voice. Draco Malfoy had arrived for a closer look, Crabbe and Goyle right behind him."Yeah, reckon so," said Harry casually."Got plenty of special features, hasn't it?" said Malfoy, eyes glittering maliciously. "Shame it doesn't come with a parachute - in case you get too near a Dementor."Crabbe and Goyle sniggered."Pity you can't attach an extra arm to yours, Malfoy," said Harry. "Then it could catch the Snitch for you.
[In 1951] we were also told that the Russians could be parachuting from planes over our town at any time. These were the same Russians that my uncles had fought alongside only a few years earlier. Now they had become monsters who were coming to slit our throats and incinerate us. It seemed peculiar. Living under a cloud of fear like this robs a child of his spirit. It's one thing to be afraid when someone's holding a shotgun on you, but it's another thing to be afraid of something that's just not quite real.
Maybe we should develop a Crayola bomb as our next secret weapon. A happiness weapon. A beauty bomb. And every time a crisis developed, we would launch one. It would explode high in the air - explode softly - and send thousands, millions, of little parachutes into the air. Floating down to earth - boxes of Crayolas. And we wouldn't go cheap, either - not little boxes of eight. Boxes of sixty-four, with the sharpener built right in. With silver and gold and copper, magenta and peach and lime, amber and umber and all the rest. And people would smile and get a little funny look on their faces and cover the world with imagination.
When I rest my head on the couch I know that it's coming, coming like something in the mail, something sent away for. We know it is coming, but are not sure when--weeks? months? She is fifty one. I am twenty-one. My sister is twenty-three. My brothers are twenty-four and seven. We are ready. We are not ready. People know. Our house sits on a sinkhole. Our house is the one being swept up in the tornado, the little train-set model floating helplessly, pathetically around in the howling black funnel. We're weak and tiny. We're Grenada. There are men parachuting from the sky. We are waiting for everything to finally stop working--the organs and systems, one by one, throwing up their hands--"The jig is up," says the endocrine; "I did what I could," says the stomach, or what's left of it; "We'll get em next time," adds the heart, with a friendly punch to the shoulder.
O your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do before Death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feels the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way the night passes by, this Is the overnight endless trip to the famous unfathomable abyss.