Photograph Quotes
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Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?
Duane Michals
A photograph never grows old. You and I change, people change all through the months and years but a photograph always remains the same. How nice to look at a photograph of mother or father taken many years ago. You see them as you remember them. But as people live on, they change completely. That is why I think a photograph can be kind.
Albert Einstein
The photograph is in my hand. It is the photograph of a man and a woman. They are at an amusement park, in 1959. [...] I'm tired of looking at the photograph now. I open my fingers. It falls to the sand at my feet. I am going to look at the stars. They are so far away, and their light takes so long to reach us... All we ever see of stars are their old photographs. [...] It's October, 1985. I'm basking in the two-million-year-old light of Andromeda. I can see the supernova that Ernst Hartwig...
Alan Moore
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ('this-has-been'), the photograph suggests that it is already dead.
Roland Barthes
I imagine that the essential gesture of the Operator is to surprise something or someone (through the little hole in the camera), and that this gesture is therefore perfect when it is performed unbeknownst to the subject being photographed. From this gesture derive all photographs whose principle (or better whose alibi) is “shock”; for the photographic “shock” consists less in traumatizing than in revealing what was so well hidden that the actor himself was unaware or unconscious of it.
Roland Barthes