Poison Quotes (displaying: 1 - 30 of 475 quotes )
That's a tarantula,' he said. 'You got to watch out for them suckers. They can jump four feet. If they get you, you go crazy. It's a special kind of poison'This I didn't believe. I never could figure out why men thought they could impress a woman by making the world out to be such a big dangerous deal. I mean, we've got to live in the exact same world every damn day of the week, don't we?
For God's sake, let us sit upon the ground. And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown. That rounds the mortal temples of a king. Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus. Comes at the last and with a little pin
Mack and the boys, too, spinning in their orbits. They are the Virtues, the Graces, the Beauties of the hurried mangled craziness of Monterey and the cosmic Monterey where men in fear and hunger destroy their stomachs in the fight to secure certain food, where men hungering for love destroy everthing lovable about them. Mack and the boys are the Beauties, the Virtues, the Graces. In a world ruled by tigers with ulcers, rutted by strictured bulls, scavenged by blind jackals, Mack and the boys dine delicately with the tigers, fondle the frantic heifers, and wrap up the crumbs to feed the sea gulls of Cannery Row. What can it profit a man to gain the whole world and come to his property with a gastric ulcer, a blown prostate, and bifocals? Mack and the boys avoid the trap, walk around the poison, step over the noose while a generation of trapped, poisoned, and trussed-up men scream at them and call them no-goods, come-to-bad-ends, blots-on-the-town, thieves, rascals, bums. Our father who art in nature, who has given the gift of survival to the coyote, the common brown rat, the English sparrow, the house fly and the moth, must have a great and overwhelming love for no-goods and blots-on-the-town and bums, and Mack and the boys. Virtues and graces and laziness and zest. Our Father who art in nature.
What can it profit a man to gain the whole world and to come to his property with a gastric ulcer, a blown prostate and bifocals? Mack and the boys avoid the trap, walk around the poison, step over the noose while a generation of trapped,, poisoned, and trussed-up men scream at them and call them no-goods, come to bad ends, blot-on-the town-thieves, rascals, bums. Our Father who art in nature, who has given the gift of survival to the coyote, the common brown rat, the English sparrow, the house fly and the moth, must have a great and overwhelming love for no-goods and blots-on-the town and bums,, and Mack and the boys. Virtues and graces and laziness and zest. Our Father who art in nature.
Yes, poisonous thing? repeated Giovanni, beside himself with passion.?Thou hast done it! Thou has blasted me! Thou hast filled my veins with poison! Thou hast made me as hateful, as ugly, as loathsome and deadly a creature as thyself? a world's wonder of hideous monstrosity! Now, if our breath be happily as fatal to ourselves as to all others, let us join our lips in one kiss of unutterable hatred, and so die!
Weston: Look at my outlook. You don't envy it, right? Wesley: No. Weston: That's because it's full of poison. Infected. And you recognize poison, right? You recognize it when you see it? Wesley: Yes. Weston: Yes, you do. I can see that you do. My poison scares you. Wesley: Doesn't scare me. Weston: No? Wesley: No. Weston: Good. You're growing up. I never saw my old man's poison until I was much older than you. Much older. And then you know how I recognized it? Wesley: How? Weston: Because I saw myself infected with it. That's how. I saw me carrying it around. His poison in my body.
Slowly the poison the whole blood stream fills. It is not the effort nor the failure tires. The waste remains, the waste remains and kills. It is not your system or clear sight that mills. Down small to the consequence a life requires; Slowly the poison the whole blood stream fills. They bled an old dog dry yet the exchange rills. Of young dog blood gave but a month's desires. The waste remains, the waste remains and kills. It is the Chinese tombs and the slag hills. Usurp the soil, and not the soil retires. Slowly the poison the whole blood stream fills. Not to have fire is to be a skin that shrills. The complete fire is death. From partial fires. The waste remains, the waste remains and kills. It is the poems you have lost, the ills. From missing dates, at which the heart expires. Slowly the poison the whole blood stream fills. The waste remains, the waste remains and kills.- 'Missing Dates
R wrote Delahaye about all that had happened to him and about what he, R, wanted: My friend, You’re eating white flour and mud in your pigsty. I don’t miss Charleville. I don’t miss being a bored pig where the sun dries up all brains but sloth. Your brains or feelings’re being dried up: dead pig Delahaye. Emotions are the movers of this world. Me: I’m thirsty. What I’m thirsty for—whom I’m thirsty for—I can’t get so I drink poisons. I’ve got to free myself. From what? Pain? Oh—for more poisons. Maybe more poisons’ll come and I’ll go so far, I’ll emerge. Something is trying to emerge from this mess. I don’t know how.
ROMEOThere is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou mayst not sell. I sell thee poison; thou hast sold me none. Farewell: buy food, and get thyself in flesh. Come, cordial and not poison, go with me. To Juliet's grave; for there must I use thee.
I beseech you, my brothers, remain faithful to the earth, and do not believe those who speak to you of otherworldly hopes! Poison-mixers are they, whether they know it or not. Despisers of life are they, decaying and poisoned themselves, of whom the earth is weary: so let them go. Once the sin against God was the greatest sin; but God died, and these sinners died with him. To sin against the earth is now the most dreadful thing, and to esteem the entrails of the unknowable higher than the meaning of the earth... What is the greatest experience you can have? It is the hour of the great contempt. The hour when your happiness, too, arouses your disgust, and even your reason and your virtue.
Mirabelle replaces the absent friends with books and television mysteries of the PBS kind. The books are mostly nineteenth-century novels in which women are poisoned or are doing the poisoning. She does not read these books as a romantic lonely hearts turning pages in the isolation of her room, not at all. She is instead an educated spirit with a sense of irony. She loves the gloom of these period novels, especially as kitsch, but beneath it all she finds that a part of her indentifies with all that darkness.
I know girls who pine for it. They like to play dress-up and pretend being Vor ladies of old, rescued from menace by romantic Vor youths. For some reason they never play 'dying in childbirth', or 'vomiting your guts out from the red dysentery', or 'weaving till you go blind and crippled from arthritis and dye poisoning', or 'infanticide'. Well, they do die romantically of disease sometimes, but somehow it's always an illness that makes you interestingly pale and everyone sorry and doesn't involve losing bowel control.
The Buddha taught that all life is suffering. We might also say that life, being both attractive and constantly dangerous, is intoxicating and ultimately toxic. 'Toxic' comes from toxicon, Pendell tells us, with a root meaning of 'a poisoned arrow.' All organic life is struck by the arrows of real and psychic poisons. This is understood by any true, that is to say, not self-deluding, spiritual path.
In North Carolina, I stopped to gas up at a Humble Oil station, then walked around the corner to use the toilet. There were two doors and three signs. MEN was neatly stenciled over one door, LADIES over the other. The third sign was an arrow on a stick. It pointed toward the brush-covered slope behind the station. It said COLORED. Curious, I walked down the path, being careful to sidle at a couple of points where the oily, green-shading-to-maroon leaves of poison ivy were unmistakable... There was no facility. What I found at the end of the path was a narrow stream with a board laid across it on a couple of crumbling concrete posts... If I ever give you the idea that 1958's all Andy-n-Opie, remember the path, okay? The one lined with poison ivy. And the board over the stream.
Desperate? So what? I'm desperate, too!" Fenoglio snapped at her. "My story is foundering in misfortune, and these hands here," he said holding them out to her, "don't want to write anymore! I'm afraid of words Meggie! 'Once they were like honey, now they're poison, pure poison! But what is a writer who doesn't love words anymore? What have I come to? This story is devouring me, crushing me, and I'm it's creator!