Reader Quotes (page 16)
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It is as well that the world knows only a fine piece of work and not also its origins, the conditions under which it came into being; for knowledge of the sources of an artist's inspiration would often confuse readers and shock them, and the excellence of the writing would be of no avail.
Thomas Mann
It is now expedient to give some description of Mrs. Allen, that the reader may be able to judge in what manner her actions will hereafter tend to promote the general distress of the work, and how she will, probably, contribute to reduce poor Catherine to all the desperate wretchedness of which a last volume is capable -- whether by her imprudence, vulgarity, or jealousy -- whether by intercepting her letters, ruining her character, or turning her out of doors.
Jane Austen
Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.
Roland Barthes
When we stop believing in gods we can start believing in their stories, I retort. There are of course no such things as miracles, but if there were and so tomorrow we woke up to find no more believers on earth, no more devout Christians, Muslims, Hindus, Jews, why then, sure the beauty of the stories would be a thing we could focus on because they wouldn't be dangerous any more, they would become capable of compelling the only belief that leads to truth, that is, the willing, disbelieving of...
Salman Rushdie
The reader! You, dogged, uninsultable, print-oriented bastard, it's you I'm addressing, who else, from inside this monstrous fiction. You've read me this far, then? Even this far? For what discreditable motive? How is it you don't go to a movie, watch TV, stare at a wall, play tennis with a friend, make amorous advances to the person who comes to your mind when I speak of amorous advances? Can nothing surfeit, saturate you, turn you off? Where's your shame?
John Barth
But none of them taught me the things I learned from Carrie White. The most important is that the writer’s original perception of a character or characters may be as erroneous as the reader’s. Running a close second was the realization that stopping a piece of work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from...
Stephen King
