Rhetoric Quotes (displaying: 1 - 30 of 140 quotes )
We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
Women must find their own answer. That’s the important thing. I’m no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can’t find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it’s not entirely true, it’s her struggle and she’s on the way to the answer. Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body.
It was expected, however, that [Erasmus] should make some reply and give some definition. But instead, by availing himself of a rhetorical transition, he drags us who knew nothing of rhetoric away with him, as if the matter at issue here were of no moment, but simply a lot of quibbling, and dashes bravely out of the crowded court, crowned with ivy and laurel.
The first impression of the writings of Mr. J. J. Rousseau received by a knowledgeable reader, who is reading for something more than vanity or to kill time, is that he is encountering a lucidity of mind, a noble impulse of genius and a sensitive soul of such a high level that perhaps never an author of whatever epoch or of whatever people has been able to possess in combination. The impression that immediately follows is bewilderment over the strange and contradictory opinions, which so oppose those which are in general circulation that one can easily come to the suspicion that the author, by virtue of his extraordinary talent, wishes to show off only the force of his bewitching wit and through the magic of rhetoric make himself something apart who through captivating novelties stands out among all rivals at wit.
Horror grows impatient, rhetorically, with the Stoic fatalism of Ecclesiastes. That we are all going to die, that death mocks and cancels every one of our acts and attainments and every moment of our life histories, this knowledge is to storytelling what rust is to oxidation; the writer of horror holds with those who favor fire. The horror writer is not content to report on death as the universal system of human weather; he or she chases tornadoes. Horror is Stoicism with a taste for spectacle.
Nearly all our older poetry was written and read by men to whom the distinction between poetry and rhetoric, in its modern form, would have been meaningless. The 'beauties' which they chiefly regarded in every composition were those which we either dislike or simply do not notice. This change of taste makes an invisible wall between us and them.
The prime minister's final flourish, Honour your country, for the eyes of the country are upon you, complete with drumrolls and bungle blasts, unearthed from the attics of the mustiest of nationalistic rhetoric, was ruined by a Good night that rang entirely false, but then that is the great thing about ordinary words, they are incapable of deceit.
What therefore is truth? A mobile army of metaphors, metonymies, anthropomorphisms: in short a sum of human relations which became poetically and rhetorically intensified, metamorphosed, adorned, and after long usage seem to a notion fixed, canonic, and binding; truths are illusions of which one has forgotten that they are illusions; worn-out metaphors which have become powerless to affect the senses; coins which have their obverse effaced and now are no longer of account as coins but merely as metal.
The whole struggle was over, and yet there seemed to have been no moment of victory. You might say, if you liked, that the power of choice had been simply set aside and an inflexible destiny substituted for it. On the other hand, you might say he had delivered from the rhetoric of his passions and had emerged in unassailable freedom. Ransom could not for the life of him, see any difference between these two statements. Predestination and freedom were apparently identical. He could no longer see any meaning in the many arguments he had heart on the subject.
Part of the puzzle, surely, lies in the disconnect between official rhetoric and lived realities. Americans are constantly extolling “traditions”; litanies to family values are at the center of every politician’s discourse. And yet the culture of America is extremely corrosive of family life, indeed of all traditions except those redefined as “identities” that fit in the larger patterns of distinctiveness, cooperation, and openness to innovation.
The dead," he had said once, "need nothing from the living, and the living can give nothing to the dead." At twenty-two, it had sounded precocious; at thirty-four, it sounded mature, and this pleased Michael very much. He had liked being mature and reasonable. He disliked ritual and pomposity, routine and false emotion, rhetoric and sweeping gestures. Crowds made him nervous. Pageantry offended him. Essentially a romantic, he had put away the trappings of romance, although he had loved them deeply and never known.
Okay." I bounced down the stairs. "I'm decent."He was waiting at the foot of the stairs, closer than I'd thought, and I bounded right into him. He steadied me, holding me a careful distance away for a few seconds before suddenly pulling me closer."Wrong again," he murmured in my ear. "You are utterly indecent - no one should look so tempting, it's not fair."Tempting how?" I asked. "I can change . . ."He sighed, shaking his head. "You are so absurd." He pressed his cool lips delicately to my forehead, and the room spun. The smell of his breath made it impossible to think."Shall I explain how you are tempting me?" he said. It was clearly a rhetorical question. His fingers traced slowly down my spine, his breath coming more quickly against my skin. My hands were limp on his chest, and I felt ligtheaded again. He tilted his head slowly and touched his cool lips to mine for the second time, very carefully, parting them slightly. And then I collapsed.
the mystic must be steadily told,—All that you say is just as true without the tedious use of that symbol as with it. Let us have a little algebra, instead of this trite rhetoric,—universal signs, instead of these village symbols,—and we shall both be gainers. The history of hierarchies seems to show that all religious error consisted in making the symbol too stark and solid, and was at last nothing but an excess of the organ of language.
The Sophists had this idea: Forget this idea of what's true or not—what you want to do is rhetoric; you want to be able to persuade the audience and have the audience think you're smart and cool. And Socrates and Plato, basically their whole idea is, "Bullshit. There is such a thing as truth, and it's not all just how to say what you say so that you get a good job or get laid, or whatever it is people think they want.
What, then, is truth? A mobile army of metaphors, metonyms, and anthropomorphisms? in short, a sum of human relations, which have been enhanced, transposed, and embellished poetically and rhetorically, and which after long use seem firm, canonical, and obligatory to a people: truths are illusions about which one has forgotten that this is what they are; metaphors which are worn out and without sensuous power; coins which have lost their pictures and now matter only as metal, no longer as coins.
Truth is a mobile army of metaphors, metonyms, anthropomorphisms, in short, a sum of human relations which were poetically and rhetorically heightened, transferred, and adorned, and after long use seem solid, canonical, and binding to a nation. Truths are illusions about which it has been forgotten that they are illusions. from "On Truth and Lying in an Extra-Moral Sense