Roads Quotes (page 41)
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How many of the ragged workingmen who pass him in the street are secret authors of works that will outlast them: roads, walls, pylons? Immortality of a kind, a limited immortality, is not so hard to achieve after all. Why then does he persist in inscribing marks on paper, in the faint hope that people not yet born will take the trouble to decipher them?
J. M. Coetzee
We must rest, he told himself, on our confidence in His design. Design was clear enough in the stars, the seasons, in the woods and fields. But in human affairs—? Perhaps our bewilderment came from a fault in our perceptions; we could never see what was behind the next turn of the road.
Willa Cather
Give those who are gentle strength,Give those who are strong a generous imagination,And make their half-truth true and let the crooked Footpath find its parent road at length....For never to beginAnything new because we know there is nothingNew, is an academic sophistry--The original sin.I have already had friendsAmong things and hours and peopleBut taking them one by one--odd hours and passing people;Now I must make amendsAnd try to correlate event with instinctAnd me with you or you with...
Louis MacNeice
Zest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating, by them. Yet if I were asked to name the most important items in a writer's make-up, the things that shape his material and rush him along the road he wants to go. I would only warn him to look to his zest, see to his gusto.
Ray Bradbury
She saw herself riding in the passenger seat, Sam behind the wheel. Like two of those little peg people in a toy car. Husband peg, wife peg, side by side. Facing the road and not looking at each other; for why would they need to, really, having gone beyond the visible surface long ago. No hope of admiring gazes anymore, no chance of unremitting adoration. Nothing left to show but their plain, true, homely, interior selves, which were actually much richer anyhow.
Anne Tyler
Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another.
Iain Banks
# "I saw the most beautiful cat today. It was sitting by the side of the road, its two front feet neatly and graciously together. Then it gravely swished around its tail to completely encircle itself. It was so fit and beautifully neat, that gesture, and so self-satisfied, so complacent.
Anne Morrow Lindbergh
