Sense Quotes (page 105)
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I write because it’s a way of puzzling out answers to situations in the world that I don’t understand. The act of writing a book gives me the same experience that I hope reading it gives readers. It forces me to sort through the various points of view on a given issue or situation and ultimately come to a conclusion. Doing that might not change my mind, but it almost always gives me a stronger sense of why my opinion is what it is—a question we rarely ask ourselves.
Jodi Picoult
There is silent and long-suffering sorrow to be met with among the peasantry. It withdraws into itself and is still. But there is a grief that breaks out, and from that minute it bursts into tears and finds vent in wailing. This is particularly common with women. But it is no lighter a grief than the silent. Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant...
Fyodor Dostoevsky
I felt despair. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously. For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death. It’s maybe close to what people call dread or angst. But it’s not these things, quite. It’s more like wanting to die in order to escape the unbearable feeling of becoming aware that I’m small and weak and selfish...
David Foster Wallace
Greg Broadmore's fertile and twisted imagination has conjoined multiple genres, memories, and a sharp sense of pulp, colonialist nostalgia/parody in this lavish, fully realized, imaginative tour-de-force. It's Jules Verne meets Fritz Lang meets Tintin. It's beyond Steampunk. It's clearly an insatiable passion for the talismans of a bygone civilization and it's slavish addiction to the early industrial age in all it's filigreed, ignorant glory. Greg has raised the bar.
Adam Savage
Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.
Michael Cunningham
There's no such thing as effortless beauty - you should know that. There's no effort which is not beautiful - lifting a heavy stone or loving you. Loving you is like lifting a heavy stone. It would be easier not to do it and I'm not quite sure why I am doing it. It takes all my strength and all my determination, and I said I wouldn't love someone again like this. Is there any sense in loving someone you can only wake up to by chance?
Jeanette Winterson
