Spots Quotes (page 4)
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Turn around, and the people you thought you knew might change. Your little boy might now live half a world away. Your beautiful daughter might be sneaking out at night. Your ex-husband might by dying by degrees. This is the reason that dancers learn, early on, how to spot while doing pirouettes: we all want to be able to find the place where we started.
Jodi Picoult
I never rebel so much against France as not to regard Paris with a friendly eye; she has had my heart since my childhood.... I love her tenderly, even to her warts and her spots. I am French only by this great city: the glory of France, and one of the noblest ornaments of the world.
Michel de Montaigne
The more you think about and interact with other people, the more you realize that it is untenable to privilege your interests over theirs, at least not if you want them to listen to you. You can’t say that my interests are special compared to yours any more than you can say that the particular spot that I am standing on is a unique part of the universe because I happen to be standing on it that very minute.
Steven Pinker
It was probably true that he objectified women. He thought about them all the time, didn't he? He looked at them a lot. And didn't all this thinking and looking involve their breasts and lips and legs? Female human beings were objects of the most intense interest and scrutiny on Mitchell's part. And yet he didn't think that a word like objectification covered the way these alluring - but intelligent! - creatures made him feel. What Mitchell felt when he saw a beautiful girl was more like...
Jeffrey Eugenides
He sat with his yes fixed on hers while she spoke; then he lowered them and attached them to a spot on the carpet as if he were making a strong effort to say nothing but what he ought. He was a strong man in the wrong, and he was acute enough to see that an uncompromising exhibition of his strength would only throw the falsity of his position into relief. Isabel was not incapable of taking any advantage of position over a person of this quality, and though little desirous to flaunt it in his...
Henry James
Lane himself lit a cigarette as the train pulled in. Then, like so many people, who, perhaps, ought to be issued only a very probational pass to meet trains, he tried to empty his face of all expression that might quite simply, perhaps even beautifully, reveal how he felt about the arriving person. Franny was among the first of the girls to get off the train, from a car at the far, northern end of the platform. Lane spotted her immediately, and despite whatever it was he was trying to do with...
J. D. Salinger
The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.
Barbara Kingsolver
If he lies pressed against me, he gently twines his legs about mine and our legs are merged by the very soft cloth of our pajamas; he then takes great pains to find the right spot to cuddle his cheek. So long as he is not sleeping, I feel the quivering of his eyelids and upturned lashes against the very sensitive skin of my neck. If he feels a tickling in his nostrils, his laziness and drowsiness keep him from lifting his hand, so that in order to scratch himself he rubs his nose against my...
Jean Genet
The bright image projections of the Sophoclean hero--in short, the Apollinian aspect of the mask--are necessary effects of a glance into the inside and terrors of nature; as it were, luminous spots to cure eyes damaged by gruesome night. Only in this sense may we believe that we properly comprehend the serious and important concept of "Greek cheerfulness." The misunderstanding of this concept as cheerfulness in a state of unendangered comfort is, of course, encountered everywhere today.
Friedrich Nietzsche
Then she did see it there - just a face, peering through the curtains, hanging in midair like a mask. A head-scarf concealed the hair and the glassy eyes stared inhumanly, but it wasn’t a mask, it couldn’t be. The skin had been powdered dead-white and two hectic spots of rouge centered on the cheekbones. It wasn’t a mask. It was the face of a crazy old woman. Mary started to scream, and then the curtains parted further and a hand appeared, holding a butcher’s knife. It was the knife that, a...
Robert Bloch