Stands Quotes (page 107)
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His eyes blaze and sparkle, his whole face is crimson with blood that surges from the lowest depths of the heart, his lips quiver, his teeth are clenched, his hair bristles and stands on end, his breathing is forced and harsh, his joints crack from writhing, he groans and bellows, bursts out into speech with scarcely intelligible words, strikes his hands together continually, and stamps the ground with his feet; his whole body is excited and performs great angry threats; it is an ugly and...
Lucius Annaeus Seneca
Mara was waiting for me under a tree. Before I could say anything, she kissed me on the mouth, sticking her tongue down my throat. She tasted of cigarettes and expensive food. I tasted of cigarettes and cheap food. But both kinds of food were good. All the fear and sadness that I felt instantly melted away. Instead of going to her little house we started to make love right there, standing up under the tree. So that no one would hear the sounds she made, Mara bit my neck. I pulled out before I...
Roberto Bolano
I found it very difficult to feel easy around the guy, even once I'd got used to the shock of his presence. It's a strange feeling...the first time you meet him your brain wants to scream, blow a fuse and shut itself down immediately, refusing to accept that he exists. This lasts for a couple of minutes, at which time he's still there and hasn't gone away, and in the end you just accept him because he's standing there and talking to you and after a while it almost seems normal. Almost.
Alan Moore
A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.
Paul Celan
When one watches some tired hack on the platform mechanically repeating the familiar phrases - bestial atrocities, iron heel, blood-stained tyranny, free peoples of the world, stand shoulder to shoulder - one often has a curious feeling that one is not watching a live human being but some kind of dummy, the appropriate noises are coming out of his larynx, but his brain is not involved
George Orwell
Then, there on the screen I saw Montgomery Clift and Elizabeth Taylor. An American Tragedy, a film I'd seen at least twice, not that it was all that great, but still it was very good, especially the final scene, which was unreeling at this particular moment: Clift and Taylor standing together, separated by the bars of a prison cell, a death cell, for Clift is only hours away from execution. Clift, already a poetic ghost inside his grey death-clothes, and Taylor, nineteen and ravishing,...
Truman Capote