Story Quotes (page 52)
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And Edward was surprised to discover that he was listening. Before, when Abilene had talked to him, everything had seemed so boring, so pointless. But now, the stories Nellie told struck him as the most important thing in the world and he listened as if his life depended on what she said." (page 69)
Kate DiCamillo
We writers are the worst kind of cruel,
Because we worship our own stories and poems,
And what human can compete with metaphors?
Writers stand still and yet vacate our homes
Inside our fantasies. We are word-whores,
With libidos and egos of balsa wood.
We’d have sex with our books, if only we could.
Sherman Alexie
The best change you can make is to hold up a mirror so that people can look into it and change themselves. That's the only way a person can be changed."By looking into yourself," Zia said. "Even if you have to look into a mirror that's outside yourself to do it."And you know," Maida added. "That mirror can be a story you hear, or just someone else's eyes. Anything that reflects back so you can see yourself in it.
Charles de Lint
SPIDER-MAN (thinking): I can bench press a car. I can climb up theside of a wall. Fight twenty guys to a standstill. Swing across chasms thirty stories deep. Feel a bullet coming my way and move fast enough to get clear. But something in her makes me gentle. Makes me shy. Makes me strong. Makes me happy to be alive. And maybe that's it. Maybe that's what it really comes down to. She makes me. Makes me whole . . . She completes me . . .So here's the thing, God . . . I know I complain a lot,...
J. Michael Straczynski
Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.
Isabel Allende
Not to me," I said. Kafka wrote his first story in one night. Stendhal wrote TheCharterhouse of Parma in forty-nine days. Melville wrote Moby-Dick in sixteen months. Flaubert spent five years on MadameBovary. Musil worked for eighteen years on The Man WithoutQualities and died before he could finish. Do we care about anyof that now?
Paul Auster