Story Quotes (page 7)
-
-
-
I write - and read - for the sake of the story... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself?
Ayn Rand
In the Author’s mind there bubbles up every now and then the material for a story. For me it invariable begins with mental pictures. This ferment leads to nothing unless it is accompanied with the longing for a Form: a verse or prose, short story, novel, play or what not. When these two things click you have the Author’s impulse complete. (from the essay Sometimes Fairy Stories May Say Best What’s To Be Said)
C. S. Lewis
According to Chekhov," Tamaru said, rising from his chair, "once a gun appears in a story, it has to be fired."Meaning what?"Meaning, don't bring unnecessary props into a story. If a pistol appears, it has to be fired at some point. Chekhov liked to write stories that did away with all useless ornamentation.
Haruki Murakami
There it is; the light across the water. Your story. Mine. His. It has to be seen to be believed. And it has to be heard. In the endless babble of narrative, in spite of the daily noise, the story waits to be heard. Some people say that the best stories have no words. They weren't brought up to Lighthousekeeping. It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true...
Jeanette Winterson
Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one's first feeling, "Thank God, even they aren't quite so bad as that,' or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies as bad as possible? If it is the second then it is, I am afraid, the first step in a process...
C. S. Lewis
Perhaps there's another, much larger story behind the printed one, a story that changes just as our own world does. And the letters on the page tell us only as much as we'd see peering through a keyhole. Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
Cornelia Funke
Then I started to think in Lipp’s about when I had first been able to write a story about losing everything. It was up in Cortina d’Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called ‘Out of Season’ and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you...
Ernest Hemingway
Some stories, she’d say, the more you tell them, the faster you use them up. Those kind, the drama burns off, and every version, they sound more silly and flat. The other kind of story, it uses you up. The more you tell it, the stronger it gets. Those kind of stories only remind you how stupid you were. Are. Will always be.
Chuck Palahniuk
[Northrop] Frye was concerned mostly with literary criticism, and myths interested him as structural elements in works of literature. He used the word myth to mean story, without attaching any connotation of truth or falsehood to it; but a myth is a story of a certain kind. The myths of a culture are those stories it takes seriously—the ones that are thought to be a key to its identity.
Margaret Atwood
There's my life, why not, it is one, if you like, if you must, I don't say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that's the mistake I made, one of the mistakes, to have wanted a story for myself whereas life alone is enough.
Samuel Beckett
The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it.
Flannery O'Connor