Suddenly Quotes (page 16)
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Lydia came back to bed. We didn't kiss each other. We weren't going to have sex. I felt weary. I listened to the crickets. I don't know how much time went by. I was almost asleep, not quite, when Lydia suddenly sat straight up in bed. And she screamed. It was a loud scream. "What is it?" I asked. "Be quiet." I waited. Lydia sat there without moving, for what seemed to be about ten minutes. Then she fell back on her pillow. "I saw God," she said, "I just saw God." "Listen, you bitch, you are...
Charles Bukowski
It does not matter how small the sins are provided that their cumulative effect is to edge the man away from the Light and out into the Nothing. Murder is no better than cards if cards can do the trick. Indeed the safest road to Hell is the gradual one--the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts.
C. S. Lewis
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes.
George R. R. Martin
They carried on a curious intermittent conversation which flicked on and off like the beams of a lighthouse suddenly nipped into silence by the approach of a Party uniform or the proximity of a telescreen then taken up again minutes later in the middle of a sentence then abruptly cut short as they parted at the agreed spot then continued almost without introduction on the following day.
George Orwell
I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other...
Marguerite Duras
A few moments after he found himself on the stage amid the garish gas and the dim scenery, acting before the innumerable faces of the void. It surprised him to see that the play which he had known at rehearsals for a disjointed lifeless thing had suddenly assumed a life of its own. It seemed now to play itself, he and his fellow actors aiding it with their parts. When the curtain fell on the last scene he heard the void filled with applause and, through a rift in a side scene, saw the simple...
James Joyce
Serenity. Now you could wish for that, naming no conditions: a permanent inner vacation, escape made good. To somehow have this motionlessness that he drew in with the sweet air he inhaled for his inward weather always. But there were problems too with wishing for moral qualities, serenity, large-mindedness. The interdiction (which Pierce thought obvious) against wishing for such things as artistic abilities -- sit down at the piano, the Appassionata flows suddenly from your fingertips --...
John Crowley
Yes, suddenly I saw it clearly: most people deceive themselves with a pair of faiths: they believe in eternal memory (of people, things, deeds, nations) and in redressibility (of deeds, mistakes, sins, wrongs). Both are false faiths. In reality the opposite is true: everything will be forgotten and nothing will be redressed. The task of obtaining redress (by vengeance or by forgiveness) will be taken over by forgetting. No one will redress the wrongs that have been done, but all wrongs will...
Milan Kundera
A lady doctor in the foreground, black horn-rims and white lab coat, suddenly cried,?You people ought to be ashamed of yourselves! Do you realize what you're doing to the reality concepts we're trying to instill in these people? How do you expect them to differentiate between illusion and reality when you do something like this?
Donald E. Westlake
In the literary machine that Proust’s “In Search of Lost Time” constitutes, we are struck by the fact that all the parts are produced as asymmetrical sections, paths that suddenly come to an end, hermetically sealed boxes, noncommunicating vessels, watertight compartments, in which there are gaps even between things that are contiguous, gaps that are affirmations, pieces of a puzzle belonging not to any one puzzle but to many, pieces assembled by forcing them into a certain place where they...
Gilles Deleuze