Times Quotes (page 329)
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It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them.
Mark Rothko
First, not a word more from you about the past. There was an error in your calculations. I know what that is. It affects the whole machine, and failure is the consequence. You will profit by the failure, and will avoid it another time. I have done a similar thing myself, in construction, often. Every failure teaches a man something, if he will learn; and you are too sensible a man not to learn from this failure.
Charles Dickens
We're dealing here," said Vimes, "With a twisted mind."Oh, no! You think so?"Yes."But... no... you can't be right. Because Nobby was with us all the time."Not Nobby," said Vimes testily. "Whatever he might do to a dragon, I doubt if he'd make it explode. There's stranger people in this world than Corporal Nobbs, my lad."Carrot's expression slid into a rictus of intrigued horror."Gosh," he said.
Terry Prachett
This is what youth must figure out: Girls, love, and living. The having, the not having, The spending and giving, And the meloncholy time of not knowing. This is what age must learn about: The ABC of dying. The going, yet not going, The loving and leaving, And the unbearable knowing and knowing
E. B. White
Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental...
William Gibson
