Tones Quotes (page 6)
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I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colours richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content. From a knowledge of those limitations and its richness...
Lin Yutang
She was a grown young woman when she was overtaken by what she supposed to be the climax of her fate. It was when the face and figure of a great tragedian began to haunt her imagination and stir her senses. The persistence of the infatuation lent it an aspect of genuineness. The hopelessness of it colored it with the lofty tones of a great passion.
Kate Chopin
One afternoon Clairaut came over to me with a book in his hand: “Mademoiselle de Beauvoir,” he began, in an inquisitorial tone, “what do you make of Brochard who is of the opinion that Aristotle’s God would be able to experience sexual pleasure?” Herbaud cast him a disdainful look: “I should hope so, for his sake,” he haughtily replied.
Simone de Beauvoir
Well, it’s no use your talking about waking him, said Tweedledum, when you’re only one of the things in his dream. You know very well you’re not real.
I am real! said Alice, and began to cry.
You won’t make yourself a bit realer by crying, Tweedledee remarked: there’s nothing to cry about.
If I wasn’t real, Alice said– half laughing through her tears, it all seemed so ridiculous– I shouldn’t be able to cry.
I hope you don’t think those are real tears? Tweedledee interrupted in a tone of...
Lewis Carroll
What would they do to me," he asked in confidential tones, "if I refused to fly them?"We'd probably shoot you," ex-P. F. C. Wintergreen replied. We?" Yossarian cried in surprise. "What do you mean, we? Since when are you on their side?"If you're going to be shot, whose side do you expect me to be on?" ex-P. F. C. Wintergreen retorted
Joseph Heller
She had witnessed a conflict between two men who held her liberty in their hands, her very life and that of her child; one had sought to drag her deeper into darkness, the other to restore her to light. The two contestants, in the heightened vision of her terror, had seemed like giants, one speaking with the voice of a demon, the other in the tones of an angel. The angel had won, and what caused her to tremble from head to foot was the fact that this rescuing angel was the man she abhorred,...
Victor Hugo
Finnick:" Good to see you, Peeta."Peeta:" You be nice to her, Finnick. Or I might try and take her away from you." It could be a joke, if the tone wasn't so cold. Everything it conveys is wrong. The open distrust of Finnick, the implication that Peeta has his eye on Annie, that Annie could desert Finnick, that I do not even exist. Finnick:"Oh Peeta," says Finnick lightly. "Don't make me sorry I restarted your heart.
Suzanne Collins
Leanne lighted an oil lamp and they continued until the moment came to receive the baby. 'Erzulie, mother loa, help it be born,' Tete prayed aloud. 'Saint Raymond Nonatus, pay attention, do not let an African saint get ahead of you,' Leanne answered in the same tone, and they both burst out laughing.
Isabel Allende
[E]very plot, worth the name, must be elaborated to its dnouement before anything be attempted with the pen. It is only with the dnouement constantly in view that we can plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points tend to the development of the intention.
Edgar Allan Poe
What would they do to me,' he asked in confidential tones, 'if I refused to fly [the missions]?'
We'd probably shoot you,' ex-P.F.C. Wintergreen replied.
We?' Yossarian cried in surprise. 'What do yo mean, we? Since when are you on their side?'
If you're going to be shot, whose side do you expect me to be on?' ex-P.F.C. Wintergreen retorted.
Joseph Heller
Experience had taught me that innocence seldom utters outraged shrikes. Guilt does. Innocence is a mighty shield, and the man or woman covered by it, is much more likely to answer calmly: 'My life is blameless. Look into it, if you like, for you will find nothing.' That is the tone of innocence.
Whittaker Chambers