Vase Quotes (displaying: 1 - 30 of 40 quotes )
Vase[Why weep Come back tomorrow There are also poisonous flowers and flowers always open in the evening she loves the cinema she has been in Russia Love married with disdain Pearl-studded watch a trip to Montrouge Maisons- Lafitte and everything finishes in perfumes remember Let the flower bloom and let the fruit rot and let the grain sprout while the storms rage]
…”The Emersons who were at Florence, do you mean? No, I don’t suppose it will prove to be them. It is probably a long cry from them to friends of Mr. Vyse’s. Oh, Mrs. Honeychurch, the oddest people! The queerest people! For our part we liked them, didn’t we?” He appealed to Lucy. “There was a great scene over some violets. They picked violets and filled all the vases in the room of these very Miss Alans who have failed to come to Cissie Villa. Poor little ladies! So shocked and so pleased. It used to be one of Miss Catharine’s great stories. ‘My dear sister loves flowers,’ it began. They found the whole room a mass of blue — vases and jugs — and the story ends with ‘So ungentlemanly and yet so beautiful.’ It is all very difficult. Yes, I always connect those Florentine Emersons with violets.”…
It's there. The white rose among the dried flowers in the vase. Shriveled and fragile, but holding on to that unnatural perfection cultivated in Snows greenhouse. I grab the vase, stumble down to the kitchen, and throw its contents into the embers. As the flowers flare up, a burst of blue flame envelops the rose and devours it. Fire beats roses again.
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Svres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a medival painting
I looked at the ornaments on the desk. Everything standard and all copper. A copper lamp, pen set and pencil tray, a glass and copper ashtray with a copper elephant on the rim, a copper letter opener, a copper thermos bottle on a copper tray, copper corners on the blotter holder. There was a spray of almost copper-colored sweet peas in a copper vase. It seemed like a lot of copper.
Initially, a simple phrase chased round and round in Cecilia's thoughts: Of course, of course. How had she not seen it? Everything was explained. The whole day, the weeks before, her childhood. A lifetime. It was clear to her now. Why else take so long to choose a dress, or fight over a vase, or find everything so different, or be unable to leave? What had made her so blind, so obtuse?
The other four houses yielded jewelry, wallets, credit cards, laptops, iPads and Kindles, even a couple of expensive looking vases..."You didn't do anything stupid like writing IOU's and signing your name, did you?" asked Eric'That's an excellent idea," said Danny. He stepped back through the gate, waited for a count of five, and then returned to Eric. Now Eric was standing and when he saw Danny he visibly sagged with relief. "What kind of moron are you?"The fun loving kind," said Danny. "I'm not an idiot, of course I didn't sign my name to IOUs."Good."I signed yours.
He has reverted, in other words, back into a pure balls-to-the-wall nerdism rivaled only by his early game-coding days back in Seattle. The sheer depth and involution of the current nerdism binge would be hard to convey to anyone. Intellectually, he is juggling half a dozen lit torches, Ming vases, live puppies, and running chainsaws. In this frame of mind he cannot bring himself to give a shit about the fact that this incredibly powerful billionaire has gone to a lot of trouble to come and F2F with him.
Summer in the trees! “It is time to strangle several bad poets.” / The yellow hobbyhorse rocks to and fro, and from the chimney / Drops the Strangler! The white and pink roses are slightly agitated by the struggle, / But afterwards beside the dead “poet” they cuddle up comfortingly against their vase. They are safer now, no one will compare them to the sea. / Here on the railroad train, one more time, is the Strangler. / He is going to get that one there, who is on his way to a poetry reading. / Agh! Biff! A body falls to the moving floor.
At the center of the bouquet is a monstrous peony, probably purchased on sale at the supermarket. By Tuesday its curling petals had begun to collect at the bottom of the vase, infusing the room with the faint but unmistakable sweet odor of corruption and imminent death. ... In Tick's opinion there was something extravagantly excessive about the peony from the start, as if God had intended so suggest with this particular bloom that you could have too much of a good thing. The swiftness with which the fallen petals bean to stink drove the point home in case anybody missed it. As a rule, Tick leans toward believing that there is no God, but she isn't so sure at times like this, when pockets of meaning emerge so clearly that they feel like divine communication.
When she had packed all the artifacts that made up their personal history into liquor store boxes, the house became strictly a feminine place. She stood with her hands on her hips, stoically accepting the absence of old Boston Celtics coasters and the tangle of fishing poles, the old dartboard from a Scots pub, the toolbox and downhill skis, the silky patterned ties which sat in the base of one box like a writing mass of snakes. Without these things, one tended to notice the bright eyelet curtains, the vase filled with yawning crocuses, a needlepoint pillow ... Overall, the house looked much like her apartment had eight years ago, before she had met him.
Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into its forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small corner of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.
Let me, if I may, be ever welcomed to my room in winter by a glowing hearth, in summer by a vase of flowers. If I may not, let me think how nice they would be and bury myself in my work. I do not think that the road to contentment lies in despising what we have not got. Let us acknowledge all good, all delight that the worlds holds, and be content without it.
We are never done with conscience. Choose your course by it, Brutus; Choose your course by it, Cato. It is bottomless, being God. We cast in to this pit the labor of our whole lives, we cast in our liberty or our country, we cast in our well-being, we cast in our repose, we cast in our happiness. More! more! more! Empty the vase! turn out the urn! We must at last cast in our heart.