Whatever Quotes (page 54)
I certainly believe we all suffer damage, one way or another. How could we not, except in a world of perfect parents, siblings, neighbours, companions? And then there is the question on which so much depends, of how we react to the damage: whether we admit it or repress it, and how this affects our dealings with others. Some admit the damage, and try to mitigate it; some spend their lives trying to help others who are damaged; and there are those whose main concern is to avoid further damage...
Julian Barnes
This was why I was here. This was why I would take whatever reception waited for me when I got back. Because, underneath all the anger and the sarcasm, Jacob was in pain. Right now, it was very clear in his eyes. I didn't know how to help him, but I knew I had to try. It was more than that I owed him. It was because his pain hurt me, too. Jacob had become a part of me, and there was no changing that now.
Stephenie Meyer
You just take and take dont you? Out there with your thumb in the air—not a care in the world, just grabbing whatever you can get. Yes, sir, you just take and take until youre ready to burst. But what about giving? Did you ever think about that? Of course not—youre too busy taking, Mr. Handout, Mr. Gimmee, Gimmee, Gimmee.
David Sedaris
Maybe it was a Patty Hearst thing. Stockholm syndrome or whatever it's called when you're being held against your will but then you become sucked in and fall in love. Or if not exactly love, you fall into something you can't see out of. 'I can't shoot a machine gun' becomes 'Hey, this hardly has any kick-back!
Augusten Burroughs
There are crimes that are truly uncomely. With crimes, whatever they may be, the more blood, the more horror there is, the more imposing they are, the more picturesque, so to speak, but there are crimes that are shameful, disgraceful, all horror aside, so to speak, even far too ungracious...
Fyodor Dostoevsky
Pied Beauty—
"
Glory be to God for dappled things--
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
Landscape plotted and pieced--fold, fallow, and plough;
And all trades, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise Him.
Gerard Manley Hopkins
For the first time in his life, he stopped worrying about results, and as a consequence the terms “success” and “failure” had suddenly lost their meaning for him. The true purpose of art was not to create beautiful objects, he discovered. It was a method of understanding, a way of penetrating the world and finding one’s place in it, and whatever aesthetic qualities an individual canvas might have were almost an incidental by-product of the effort to engage oneself in this struggle, to enter...
Paul Auster
Now we cannot...discover our failure to keep God's law except by trying our very hardest (and then failing). Unless we really try, whatever we say there will always be at the back of our minds the idea that if we try harder next time we shall succeed in being completely good. Thus, in one sense, the road back to God is a road of moral effort, of trying harder and harder. But in another sense it is not trying that is ever going tobring us home. All this trying leads up to the vital moment at...
C. S. Lewis
In a sense, the first (if not necessarily the prime) function of a novelist, of ANY artist, is to entertain. If the poem, painting, play or novel does not immediately engage one's surface interest then it has failed. Whatever else it may or may not be, art is also entertainment. Bad art fails to entertain. Good art does something in addition.
Brigid Brophy