Which Quotes (page 108)
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He picked up the letter Q and hurled it into a distant privet bush where it hit a young rabbit. The rabbit hurtled off in terror and didn’t stop till it was set upon and eaten by a fox which choked on one of its bones and died on the bank of a stream which subsequently washed it away.
During the following weeks Ford Perfect swallowed his pride and struck up a relationship with a girl who had been a personnel officer on Golgafrincham, and he was terribly upset when she suddenly passed away...
Douglas Adams
Matthew and Lucinda felt at the exact edge of their lives, feeling them close, closer, as near at hand as yet elusive as the wind that whistled in their hair: the true complete lives in which they would at last drown, the oceanic voyage into their thirties and beyond, through which their inchoate yearnings would either be soothed or disappointed, or both.
Jonathan Lethem
An organism exists in its environment in only one mode, that of an open system responding to those segments of its environment to which it is genetically programmed to respond or to which it has learned to respond. But a self must be placed in a world. It cannot not be placed. If it chooses by default not to be placed, then its placement is that of not choosing to be placed.
Walker Percy
When the economists say that present-day relations? the relations of bourgeois production? are natural, they imply that these are the relations in which wealth is created and productive forces developed in conformity with the laws of nature. These relations therefore are themselves natural laws independent of the influence of time. They are eternal laws which must always govern society. Thus, there has been history, but there is no longer any.
Karl Marx
Dantes passed through all the stages of torture natural to prisoners in suspense. He was sustained at first by that pride of conscious innocence which is the sequence to hope; then he began to doubt his own innocence, which justified in some measure the governor's belief in his mental alienation; and then, relaxing his sentiment of pride, he addressed his supplications, not to God, but to man. God is always the last resource. Unfortunates, who ought to begin with God, do not have any hope in...
Alexander Dumas
For the fear of death is indeed the pretense of wisdom, and not real wisdom, being a pretense of knowing the unknown; and no one know whether death, which men in their fear apprehend to be the greatest evil, may not be the greatest good. Is not this ignorance of a disgraceful sort, the ignorance which is the conceit that a man knows that he does not know? And in this respect only I believe myself to differ from men in general, and may perhaps claim to be wiser than they are: that whereas I...
Socrates
A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead. I say 'one chooses' with the inaccurate pride of a professional writer who? when he has been seriously noted at all? has been praised for his technical ability, but do I in fact of my own will choose that black wet January night on the Common, in 1946, the sight of Henry Miles slanting across the wide river of rain, or did these images choose me?
Graham Greene
In that moment, as they stood smiling at one another, Charlotte was conscious of several contradictory sensations, of which the chief were these: annoyance with herself for being incapable of governing her own actions, satisfaction that Sidney had won this very minor victory over her, amusement, embarrassment - an odd something between perturbation and pleasure - and above all else, a flutter of joyful spirits which made her feel she had strayed somehow into a most unfamiliar world.
Jane Austen
With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed--he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog.
Graham Greene
The collaboration which sometimes follows is seldom based on good will: usually on desire, rage, fear, pity or longing. The modern illusion concerning painting (which post-modernism has done nothing to correct) is that the artist is the creator. Rather he is a reciever. What seems like creaton is the act of giving form to what he has recieved.
John Berger
I pretend not to teach, but to inquire; and therefore cannot but confess here again,–that external and internal sensation are the only passages I can find of knowledge to the understanding. These alone, as far as I can discover, are the windows by which light is let into this DARK ROOM. For, methinks, the understanding is not much unlike a closet wholly shut from light, with only some little openings left, to let in external visible resemblances, or ideas of things without: which, would they...
John Locke
