Which Quotes (page 77)
-
-
-
Some three or four years before this Dr. Sloper had moved his household gods up town, as they say in New York. He had been living ever since his marriage in an edifice of red brick, with granite copings and an enormous fanlight over the door, standing in a street within five minutes' walk of the City Hall, which saw its best days (from the social point of view) about 1820. After this, the tide of fashion began to set steadily northward, as, indeed, in New York, thanks to the narrow channel in...
Henry James
Most of us love a non-self, or something extrinsic and apart from our inner life; but a mother's love during the time she is a flesh-and-blood ciborium is not for a non-self but for one that is her very self, a perfect example of charity and love which hardly perceives a separation. Motherhood then becomes a kind of priesthood. She brings God to man by preparing the flesh in which the soul will be implanted; she brings man to God in offering the child back again to the Creator.
Fulton J. Sheen
Hamas is regularly described as 'Iranian-backed Hamas, which is dedicated to the destruction of Israel.' One will be hard put to find something like 'democratically elected Hamas, which has long been calling for a two-state settlement in accord with the international consensus'—blocked for over 30 years by the US and Israel. All true, but not a useful contribution to the Party Line, hence dispensable.
Noam Chomsky
The bread which you hold back belongs to the hungry; the coat, which you guard in your locked storage-chests, belongs to the naked; the footwear mouldering in your closet belongs to those without shoes. The silver that you keep hidden in a safe place belongs to the one in need. Thus, however many are those whom you could have provided for, so many are those whom you wrong.
Saint Basil
The man might have died in a fit; but then the jewels are missing," mused the Inspector, "Ha! I have a theory. These flashes come upon me at times... What do you think of this, Holmes? Sholto was, on his own confession, with his brother last night. The brother died in a fit, on which Sholto walked off the treasure! How's that?"On which the dead man very considerately got up and locked the door on the inside," said Holmes.
Arthur Conan Doyle
He who travels much has this advantage over others? that the things he remembers soon become remote, so that in a short time they acquire the vague and poetical quality which is only given to other things by time. He who has not traveled at all has this disadvantage? that all his memories are of things present somewhere, since the places with which all his memories are concerned are present.
Giacomo Leopardi
We forget that, although each of the liberties which have been won must be defended with utmost vigour, the problem of freedom is not only a quantitative one, but a qualitative one; that we not only have to preserve and increase the traditional freedom, but that we have to gain a new kind of freedom, one which enables us to realize our own individual self; to have faith in this self and in life.
Erich Fromm
At first, man was enslaved by the gods. But he broke their chains. Then he was enslaved by the kings. But he broke their chains. He was enslaved by his birth, by his kin, by his race. But he broke their chains. He declared to all his brothers that a man has rights which neither god nor king nor other men can take away from him, no matter what their number, for his is the right of man, and there is no right on earth above this right. And he stood on the threshold of freedom for which the blood...
Ayn Rand
Whence came I, whither go I? Science cannot tell us a word about why music delights us, of why and how an old song can move us to tears.
Science is reticent too when it is a question of the great Unity – the One of Parmenides – of which we all somehow form part, to which we belong. The most popular name for it in our time is God – with a capital ‘G’.
Whence come I and whither go I? That is the great unfathomable question, the same for every one of us. Science has no answer to it.
Erwin Schrodinger
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm,...
George Byron
Let my heiress have full rights, Live in my house, sing songs that I composed. Yet how slowly my strength ebbs, How the tortured breast craves air. The love of my friends, my enemies' rancor. And the yellow roses in my bushy garden, And a lover's burning tendernessall this. I bestow upon you, messenger of dawn. Also the glory for which I was born, For which my star, like some whirlwind, soared. And now falls. Look, its falling. Prophesies your power, love and inspiration. Preserving my...
Anna Akhmatova
As for myself: I had come to the conclusion that there was nothing sacred about myself or any human being, that we were all machines, doomed to collide and collide and collide. For want of anything better to do, we became fans of collisions. Sometimes I wrote well about collisions, which meant I was a writing machine in good repair. Sometimes I wrote badly, which meant I was a writing machine in bad repair. I no more harbored sacredness than did a Pontiac, a mousetrap, or a South Bend Lathe.
Kurt Vonnegut
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me? the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
Anais Nin