Wind Quotes (displaying: 1 - 30 of 1651 quotes )
Wind and storm colored July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather. I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed.
Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy you may find in them a harness and a chain. Would that you could meet the sun and the wind with more of your skin and less of your rainment. For the breath of life is in the sunlight and the hand of life is in the wind. Some of you say 'It is the north wind who has woven the clothes we wear.' And I say, 'Ay, it was the north wind, but shame was his loom, and the softening of the sinews was his thread.' And when his work was done he laughed in the forest. Forget not that modesty is for a shield against the eye of the unclean. And when the unclean shall be no more, what were modesty but a fetter and a fouling of the mind? And forget not that the earth delights to feel your bare feet and the winds long to play with your hair.
Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You....' " The wind is red and black in the trembling cypress.
He had a little single-story house, three bedrooms, a full bathroom and a half bathroom, a combined kitchen-living room-dining room with windows that faced west, a small brick porch where there was a wooden bench worn by the wind that came down from the mountains and the sea, the wind from the north, the wind through the gaps, the wind that smelled like smoke and came from the south. He had books he'd kept for more than twenty-five years. Not many. All of them old. He had books he'd bought in the last ten years, books he didn't mind lending, books that could've been lost or stolen for all he cared. He had books that he sometimes received neatly packaged and with unfamiliar return addresses, books he didn't even open anymore. He had a yard perfect for growing grass and planting flowers, but he didn't know what flowers would do best there--flowers, as opposed to cacti or succulents. There would be time (so he thought) for gardening. He had a wooden gate that needed a coat of paint. He had a monthly salary.
Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals? and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")
I saw myself, sharply, as a wanderer, an adventurer, rocking through the world, unanchored.[...]The wind of my life was blowing me away.[...]I take the blue envelope...and tear it slowly into many pieces, watching them dance in the wind, watching the wind carry them away. Yet as I turn and begin walking toward the waiting people, the wind blows some of them back on me.
For example, the wind has its reasons. We just don't notice as we go about our lives. But then, at some point, we are made to notice. The wind envelops you with a certain purpose in mind, and it rocks you. The wind knows everything that's inside you. And not just the wind. Everything, including a stone. They all know us very well. From top to bottom. It only occurs to us at certain times. And all we can do is go with those things. As we take them in, we survive, and deepen.
We bow to the inevitable. We’re not wheat, we’re buckwheat! When a storm comes along it flattens ripe wheat because it’s dry and can’t bend with the wind. But ripe buckwheat’s got sap in it and it bends. And when the wind has passed, it springs up almost as straight and strong as before. We aren’t a stiff-necked tribe. We’re mighty limber when a hard wind’s blowing, because we know it pays to be limber. When trouble comes we bow to the inevitable without any mouthing, and we work and we smile and we bide our time. And we play along with lesser folks and we take what we can get from them. And when we’re strong enough, we kick the folks whose necks we’ve climbed over. That, my child, is the secret of the survival.
Out of the clouds I hear a faint bark, as of a faraway dog. It is strange how the world cocks its ear to that sound, wondering. Soon it is louder: the honk of geese, invisible, but coming on. The flock emerges from the low clouds, a tattered banner of birds, dipping and rising, blown up and blown down, blown together and blown apart, but advancing, the wind wrestling lovingly with each winnowing wing. When the flock is a blur in the far sky I hear the last honk, sounding taps for summer. It is warm behind the driftwood now, for the wind has gone with the geese. So would I--if I were the wind.
You sometimes see in a wind a piece of paper blowing about anyhow. Suppose the piece of paper could make the decision: ‘Now I want to go this way.’ I say: ‘Queer, this paper always decides where it is to go, and all the time it is the wind that blows it. I know it is the wind that blows it.’ That same force which moves it also in a different way moves its decisions.
To me, the summer wind in the Midwest is one of the most melancholy things in all life. It comes from so far away and blows so gently and yet so relentlessly; it rustles the leaves and the branches of the maple trees in a sort of symphony of sadness, and it doesn't pass on and leave them still. It just keeps coming, like the infinite flow of Old Man River. You could -- and you do -- wear out your lifetime on the dusty plains with that wind of futility blowing in your face. And when you are worn out and gone, the wind -- still saying nothing, still so gentle and sad and timeless -- is still blowing across the prairies, and will blow in the faces of the little men who follow you, forever.
The sun was warm but the wind was chill. You know how it is with an April day. When the sun is out and the wind is still, You're one month on in the middle of May. But if you so much as dare to speak, a cloud come over the sunlit arch, And wind comes off a frozen peak, And you're two months back in the middle of March.
We can control the future, my boy, just as we wind up the mechanism in a clock. Say to yourself: I will win that race--I will come first--and you wind up the future like clockwork. The world has no choice but to obey! Can the hands of that old clock in the corner decide to stop? Can the spring in your watch decide to wind itself up and run backward? No! They have no choice. And nor has the future, once you have wound it up.
Like wind-- In it, with it, of it. Of it just like a sail, so light and strong that, even when it is bent flat, it gathers all the power of the wind without hampering its course. Like light-- In light, lit through by light, transformed into light. Like the lens which disappears in the light it focuses. Like wind. Like light. Just this--on these expanses, on these heights.
A Kite is a VictimA kite is a victim you are sure of.You love it because it pullsgentle enough to call you master,strong enough to call you fool;because it liveslike a desperate trained falconin the high sweet air,and you can always haul it downto tame it in your drawer.A kite is a fish you have already caughtin a pool where no fish come,so you play him carefully and long,and hope he won't give up,or the wind die down.A kite is the last poem you've writtenso you give it to the wind,but you don't let it gountil someone finds yousomething else to do.A kite is a contract of glorythat must be made with the sun,so you make friends with the fieldthe river and the wind,then you pray the whole cold night before,under the travelling cordless moon,to make you worthy and lyric and pure.GiftYou tell me that silenceis nearer to peace than poemsbut if for my giftI brought you silence(for I know silence)you would sayThis is not silencethis is another poemand you would hand it back to meThere are some menThere are some menwho should have mountainsto bear their names through timeGrave markers are not high enoughor greenand sons go far away to lose the fisttheir fathe?s hand will always seemI had a friend he lived and diedin mighty silence and with dignityleft no book son or lover to mourn.Nor is this a mourning songbut only a naming of this mountainon which I walkfragrant, dark and softly whiteunder the pale of mistI name this mountain after him.-Believe nothing of meExcept that I felt your beautymore closely than my own.I did not see any cities burn,I heard no promises of endless night,I felt your beautymore closely than my own.Promise me that I will return.--When you call me closeto tell meyour body is not beautifulI want to summonthe eyes and hidden mouthsof stone and light and waterto testify against you.-SongI almost went to bedwithout rememberingthe four white violetsI put in the button-holeof your green sweaterand how i kissed you thenand you kissed meshy as though I'dnever been your lover -Reach into the vineyard of arteries for my heart.Eat the fruit of ignorance and share with me the mist andfragrance of dying.-
I have at least the whole of my life to answer a question: Who am I? And who is the other? A gust of wind at dawn? A motionless landscape? A trembling leaf? A coil of white smoke above a mountain? I write all these words and I hear the wind, not outside, but inside my head. A strong wind, it rattles the shutters through which I enter the dream.
The north wind and the sun were disputing which was the stronger, and agreed to acknowledge as the victor whichever of them could strip a traveler of his clothing. The wind tried first. But its violent gusts only made the man hold his clothes tightly around him, and when it blew harder still the cold made him so uncomfortable that he put on an extra wrap. Eventually the wind got tired of it and handed him over to the sun. The sun shone first with moderate warmth, which made the man take off his topcoat. Then it blazed fiercely, till, unable to stand the heat, he stripped and went off to a bathe in a nearby river. Persuasion is more effective than force.
The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats. Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked.