Workings Quotes (page 283)
I have something to fight for and live for; that makes me a better killer. I've got what amounts to a religion now. It's learning how to breathe all over again. And how to lie in the sun getting a tan, letting the sun work into you. And how to hear music and how to read a book. What does your civilization offer?
Ray Bradbury
What have you done to it, Monkeyman? - he breathed. - Well, - said Arthur, - nothing in fact. It's just that I think ashort while ago it was trying to work out how to... - Yes? - Make me some tea. - That's right guys, - the computer sang out suddenly, - just copingwith that problem right now, and wow, it's a biggy. Be with you in awhile." It lapsed back into a silence that was only matched for sheerintensity by the silence of the three people staring at Arthur...
Douglas Adams
It's the wrong choice, Gennie."Serena," Justin said warningly, but she turned on him with her eyes flashing and her voice low with exasperation."Damn it, Justin, she's miserable! There's nothing like a stubborn, pig-headed man to make a woman miserable, is there, Gennie?"With a half laugh, she dragged a hand through her hair. "No, I don't guess there is."That works both ways," Justin reminded her."And if the man's pig-headed enough," Serena went on precisely, "it's up to the woman to give him...
Nora Roberts
World is supposed to mean something that's self-contained. Everything enters something else. My days spill into light-years. This is why I can only pretend to be someone. And this is why I felt derived at first, working on these pages. I didn't know if it was me that was writing so much as someone I want to sound like.
Don DeLillo
There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory. - from the introduction of the 1986 Norton edition
Anthony Burgess