Writer Quotes (page 64)
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Farewell, farewell," said the swallow, with a heavy heart, as he left the warm countries, to fly back into Denmark. There he had a nest over the window of a house in which dwelt the writer of fairy tales. The swallow sang "Tweet, tweet," and from his song came the whole story.
Hans Christian Andersen
Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.
Michael Cunningham
And what about those [writers' workshop] critiques, by the way? How valuable are they? Not very, in my experience, sorry. A lot of them are maddeningly vague. I love the feeling of Peter's story, someone may say. It had something... a sense of I don't know... there's a loving kind of you know... I can't exactly describe it....It seems to occur to few of the attendees that if you have a feeling you just can't describe, you might just be, I don't know, kind of like, my sense of it is,...
Stephen King
I also felt that Ron and Hermione would have gotten divorced. I'm sorry, I just do. The end of Harry Potter did feel ultimately to me...just the fact everybody had married everybody. The books were so real and so grounded in what things are really like when you're that age, she nailed that so beautifully. And then there was this slightly fantastical ending. I know that was there for her to say, 'Really, I mean it, no more books,' but you do sort of go, people who were in a war are different...
Joss Whedon
Never before had she seen such writers. They were impossibly vain, but quite openly so, as if thereby fulfilling a duty. Some (though by no means all) even came drunk, but it was as if they perceived som special, just-yesterday-discovered beauty in it. They were all proud of something to the point of strangeness.
Fyodor Dostoevsky
He who has perceived the material out of which the Promethean tragic writers prior to Euripides formed their heroes, and how remote from their purpose it was to bring the faithful mask of reality onto the stage, will also be aware of the utterly opposite tendency of Euripides. Through him the everyday man forced his way from the spectators' seats onto the stage; the mirror in which formerly only grand and bold traits were represented now showed the painful fidelity that conscientiously...
Friedrich Nietzsche
Why, then, make a show of the poverty of our life and our sad imperfection, unearthing people from the backwoods, from remote corners of the state? But what if this is in the writer's nature, and his own imperfection grieves him so, and the makeup of his talent is such, that he can only portray the poverty of our life, unearthing people from the backwoods, from the remote corners of the state! So here we are again in the backwoods, again we have come out in some corner!
Nikolai Gogol
The price a world language must be prepared to pay is submission to many different kinds of use. The African writer should aim to use English in a way that brings out his message best without altering the language to the extent that its value as a medium of international exchange will be lost. He should aim at fashioning out an English which is at once universal and able to carry his peculiar experience.
Chinua Achebe
As for 'too much description,' well, opinions differ. We write the books we want to read. And I want to read books that are richly textured and full of sensory detail, books that make me feel as if I am experiencing a story, not just reading it. Plot is only one aspect of telling a tale, and not the most important one. It is the journey that matters, not how fast you arrrive at the destination. That's my view, anyway. Others writers differ, of course. There are hundreds of books where...
George R. R. Martin
Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark.
Wallace Stegner