Writings Quotes (page 125)
Pleasures. First look from morning's window. The rediscovered book. Fascinated faces. Snow, the change of the seasons. The newspaper. The dog. Dialectics. Showering, swimming. Old music. Comfortable shoes. Comprehension. New music. Writing, planting. Traveling. Singing. Being friendly
Bertolt Brecht
Thoughts are real', he said. 'Words are real. Everything human is real, and sometimes we know things before they happen, even if we aren't aware of it. We live in the present, but the future is inside us at every moment. Maybe that's what writing is all about, Sid. Not recording events from the past, but making things happen in the future'.
Paul Auster
In its silence, a book is a challenge: it can't lull you with surging music or deafen you with screeching laugh tracks or fire gunshots in your living room; you have to listen to it in your head. A book won't move your eyes for you the way images on a screen do. It won't move your mind unless you give it your mind, or your heart unless you put your heart in it ... To read a story well is to follow it, to act it, to feel it, to become it--everything short of writing it, in fact. Reading is...
Ursula K. Le Guin
What is a sentence. A sentence is left to be alright and therefor (sic) they are barely here. A day is additional with there having been with a condition of remaining all day which it is partly that they like to look about made it for them in reference as they knew that is whenever they met by the arrangement which had been made for them in the mean time. What is a sentence. They need not be having them made by them. in 'Sentences' chapter, p. 175 my edition, How to Write.
Gertrude Stein
At this rate, I'd be lucky if I wrote a page a day. Then I knew what the problem was. I needed experience. How could I write about life when I'd never had a love affair or a baby or even seen anybody die? A girl I knew had just won a prize for a short story about her adventures among the pygmies in Africa. How could I compete with that sort of thing?
Sylvia Plath
We write to expose the unexposed. Most human beings are dedicated to keeping that one door shut. But the writer's job is to see what's behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words - not just into any words but if we can, into rhythm and blues. You can't do this without discovering your own true voice, and you can't find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder.
Anne Lamott