Clive Barker Quotes (displaying: 1 - 30 of 175 quotes)
It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.
The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.
Did I say that she was beautiful? I was wrong. Beauty is too tame a notion; it evokes only faces in magazines. A lovely eloquence, a calming symmetry; none of that describes this woma?s face. So perhaps I should assume I cannot do it justice with words. Suffice it to say that it would break your heart to see her; and it would mend what was broken in the same moment; and you would be twice what yo?d been before.
I am a man, and men are animals who tell stories. This is a gift from God, who spoke our species into being, but left the end of our story untold. That mystery is troubling to us. How could it be otherwise? Without the final part, we think, how are we to make sense of all that went before: which is to say, our lives? So we make stories of our own, in fevered and envious imitation of our Maker, hoping that we'll tell, by chance, what God left untold. And finishing our tale, come to understand why we were born.
I dreamed I spoke in another's language, I dreamed I lived in another's skin, I dreamed I was my own beloved, I dreamed I was a tiger's kin. I dreamed that Eden lived inside me, And when I breathed a garden came, I dreamed I knew all of Creation, I dreamed I knew the Creator's name. I dreamed--and this dream was the finest--That all I dreamed was real and true, And we would live in joy forever, You in me, and me in you.
It is great good health to believe as the Hindus do that there are 33 million gods and goddesses in the world. It is great good health to want to understand one s dreams. It is great good health to desire the ambiguous and paradoxical. It is sickness of the profoundest kind to believe that there is one reality. There is sickness in any piece of work or any piece of art seriously attempting to suggest that the idea that there is more than one reality is somehow redundant.
Quitoon knew the world well. It wasn't jut Humankind and its works he knew, but all manner of things without any clear connection between them. He knew about spices, parliaments, salamanders, lullabies, curses, forms of discourse and disease; of riddles, chains, and sanities; ways to make sweetmeats, love and widows; tales to tell children, tales to tell their parents, tales to tell yourself on days when everything you know means nothing.
After a battle lasting many ages, The Devil won, And said to God (who had been his Maker): Lord, We are about to witness the unmaking of Creation By my hand. I would not wish you to think me cruel, So I beg you, take three things From this world before I destroy it. Three things, and then the rest will be wiped away.' God thought for a little time. And at last He said: No, there is nothing.' The Devil was surprised. Not even you, Lord?' he said. And God said: No. Not even me.
And to think, she'd once had the hots for him, back in the old days (six months ago) when razor-thin men with noses like Durante and an encyclopaedic knowledge of de Niro movies had really been her style. Now she saw him for what he was, flotsam from a lost ship of hope. Still a pill-freak, still a theoretical bisexual, still devoted to early Polanski movies and symbolic pacifism.
Of course it’s the apparently tranquil periods that deceive us. Though our instruments or our senses or our wits may not be able to see the processes that are leading toward these clusters of events, they’re happening. The star, the wheel, the butterfly—all are in a subtle state of unrest, waiting for the moment when some invisible mechanism signals that the time has come. Then the star explodes; the wheel makes poor men rich; the butterfly mates and dies.