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David Foster Wallace Quotes

David Foster Wallace quotes

American Writer February 21, 1962 – December 12, 2008

TOP 10 David Foster Wallace quotes

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Quotes

Look. Listen. Use ears I'd be proud to call our own. Listen to the silence behind the engine's noise. Jesus, Sweets, listen. Hear it? It's a love song. For whom? You are loved. David Foster Wallace
Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to love what you can't grab onto. David Foster Wallace
Say the whole point of love is to try to get your fingers through the holes in the lover's mask. To get some kind of hold on the mask, and who cares how you do it. David Foster Wallace
The boy, who did everything well and with a natural unslumped grace the wraith himself had always lacked, and whom the wraith had been so terribly eager to see and hear and let him (the son) know he was seen and heard, the son had become a steadily more and more hidden boy, toward the wraith's life's end; and no one else in the wraith and the boy's nuclear family would see or acknowledge this, the fact that the graceful and marvelous boy was disappearing, right before their eyes. They looked... David Foster Wallace
David Foster Wallace quote: "You are what you love. No? You are, completely and only, what..."
You are what you love. No? You are, completely and only, what you would die for without, as you say, the thinking twice. David Foster Wallace
What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love? David Foster Wallace
David Foster Wallace quote: "For reasons that are not well understood, war's codes are..."
For reasons that are not well understood, war's codes are safer for most of us than love's. David Foster Wallace
David Foster Wallace quote: "Every love story is a ghost story."
Every love story is a ghost story. David Foster Wallace
in real life I always seem to have a hard time winding up a conversation or asking somebody to leave, and sometimes the moment becomes so delicate and fraught with social complexity that I'll get overwhelmed trying to sort out all the different possible ways of saying it and all the different implications of each option and will just sort of blank out and do it totally straight -- 'I want to terminate the conversation and not have you be in my apartment anymore' -- which evidently makes me... David Foster Wallace
Dr. Ambrose himself told Mark Nechtr...that the problem with young people, starting sometime in about the 1960s, is that they tend to live too intensely inside their own social moment, and thus tend to see all existence past age thirty or so as somehow postcoital. It's then that they'll relax, settle back, sad animals, to watch- and learn, as Ambrose himself said he learned from hard artistic and academic experience- that life instead of being rated a hard R, or even a soft R, actually rarely... David Foster Wallace
And I submit that this is what the real, no-shit value of your liberal arts education is supposed to be about: How to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone, day in and day out. David Foster Wallace
The capital-T Truth is about life BEFORE death. It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over:"This is water."This is water."It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. David Foster Wallace
TV and popular film and most kinds of 'low' art-- which just means art whose primary aim is to make money-- is lucrative precisely because it recognizes that audiences prefer 100 percent pleasure to the reality that tends to be 49 percent pleasure and 51 percent pain. Whereas 'serious' art, which is not primarily about getting money out of you, is more apt to make you uncomfortable, or to force you to work hard to access its pleasures, the same way that in real life true pleasure is usually... David Foster Wallace
Trite though it (used to) sound, real sexuality is about our struggles to connect with one another, to erect bridges across the chasms that separate selves. Sexuality is, finally, about imagination. Thanks to brave people's recognition of AIDS as a fact of life, we are beginning to realize that highly charged sex can take place in all sorts of ways we'd forgotten or neglected—in a conversational nuance; in a body's posture, a certain pressure in a held hand. Sex can be everywhere we are, all... David Foster Wallace
This, according to the fellows who saw me as fit for a Service career, put me ahead of the curve, to understand this truth at an age when most guys are starting only to suspect the basics of adulthood--that life owes you nothing; that suffering takes many forms; that no one will ever care for you as your mother did; that the human heart is a chump. David Foster Wallace

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