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Why do you love the woman you're in love with? Because she is. And that, after all, is God's own definition of Himself; I am that I am. The girl is who she is. Some of her isness spills over and impregnates the entire universe. Objects and events cease to be mere representations of classes and become their own uniqueness; cease to be illustrations of verbal abstractions and become fully concrete. Then you stop being in love, and the universe collapses, with an almost audible squeak of...
Aldous Huxley
Friends.
They aren’t any such thing as good friend or bad friend.
Maybe there are just friend.
People who stand by you when you're hurt and who helped you feel not so lonely.
Maybe there are worth being scared for and hoping for and living for.
Maybe worth dying for too.
If that what has to be.
No bad friends.
Only people you want.
Need to be with.
People who build their houses in your heart.
Stephen King
This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in a brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
William Strunk, Jr.