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Roland Barthes quotes about evening
French Critic, Philosopher November 12, 1915 – March 25, 1980
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Am I in love? - Yes, since I'm waiting." The other never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game: whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely: I am the one who waits.
Roland Barthes
One day, quite some time ago, I happened on a photograph of Napoleon’s youngest brother, Jerome, taken in 1852. And I realized then, with an amazement I have not been able to lessen since: ‘I am looking at eyes that looked at the Emperor.’ Sometimes I would mention this amazement, but since no one seemed to share it, nor even to understand it (life consists of these little touches of solitude), I forgot about it.
Roland Barthes
...The editors of (i)Life(i) rejected Kersz'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning? a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.
Roland Barthes
I waver—in the dark—between the observation (but is it entirely accurate?) that I’m unhappy only by moments, by jerks and surges, sporadically, even if such spasms are close together—and the conviction that deep down, in actual fact, I am continually, all the time, unhappy since maman’s death.
Roland Barthes
[Emilio’s dinner with FM Banier]
Gradually I abandon the conversation (suffering because the others might suppose I am doing so for reasons of contempt.) FMB (supported by Youssef) embodies a strong (and ingenious) system of values, codes, seductions, styles; but even as the system gains in consistency, I feel excluded from it. And little by little I cease struggling, I withdraw, without concern for how I appear to the others. Thus it begins by an initially slight disaffection for...
Roland Barthes
It is as if the Photograph always carries its referent with itself, both affected by the same amorous or funereal immobility, at the very heart of the moving world: they are glued together, limb by limb, like the condemned man and the corpse in certain tortures; or even like those pairs of fish (sharks, I think, according to Michelet) which navigate in convoy, as though united by an eternal coitus.
Roland Barthes
...what I enjoy in a narrative is not directly its content or even its structure, but rather the abrasions I impose upon the fine surface: I read on, I skip, I look up, I dip in again. Which has nothing to do with the deep laceration the text of bliss inflicts upon language itself, and not upon the simple temporality of its reading.
Roland Barthes
Today, information: pulverized, nonhierarchized, dealing with everything: nothing is protected from information and at the same time nothing is open to reflection -> Encyclopedias are impossible -> I would say: the more information grows, the more knowledge retreats and therefore the more decision is partial (terroristic, dogmatic) -> “I don’t know,” “I refuse to judge”: as scandalous as an agrammatical sentence: doesn’t belong to the language of the discourse. Variations on the “I don’t...
Roland Barthes
But I never looked like that!’ - How do you know? What is the ‘you’ you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the...
Roland Barthes
I want a History of Looking. For the Photograph is the advent of myself as other: a cunning dissociation of consciousness from identity. Even odder: it was before Photography that men had the most to say about the vision of the double. Heautoscopy was compared with an hallucinosis; for centuries this was a great mythic theme.
Roland Barthes
I feel that the Photograph creates my body or mortifies it, according to its caprice (apology of this mortiferous power: certain Communards paid with their lives for their willingness or even their eagerness to pose on the barricades: defeated, they were recognized by Thiers's police and shot, almost every one).
Roland Barthes
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