Bad Quotes (page 80)
No: that fear had been inside him for manyyears, it had lived with him, it had been another shadow cast over hisown shadow ever since the night he awoke, shaken by a bad dream, and realized that death was not only a permanent probability, as hehad always believed, but an immediate reality.
Gabriel Garcia Marquez
Unlike me, he realized that Dustfinger would do anything in return for such a promise. All he wants is to go back to his own world. He doesn't even stop to ask if his story there has a happy ending!"Well, that's no different from real life," remarked Elinor gloomily. "You never know if things will turn out well. Just now our own story looks like it's coming to a bad end.
Cornelia Funke
What is this, a summit meeting?" Alan demanded as he strode down the hall. "It's one thing to be the advance man," he continued as he cupped a hand around the back of his wife's neck, "and another to be the sacrificial lamb. Dad's doing a lot of moaning and groaning about this family scattering off in all directions."With Caine getting the worst of it," Serena put in."Yeah." Alan grinned once, appealingly. "Too bad he's late.
Nora Roberts
Of everything that man erects and builds in his urge for living nothing is in my eyes better and more valuable than bridges. They are more important than houses, more sacred than shrines. Belonging to everyone and being equal to everyone, useful, always built with a sense, on the spot where most human needs are crossing, they are more durable than other buildings and they do not serve for anything secret or bad.
Ivo Andric
I don't mean to be insolent. I'm truthful. I tell the truth and the truth sometimes hurts. For instance, you have bad breath, Lieutenant. I can smell it from here. It must offend a lot of people. That's the truth. But how many people have told you that? Instead, they either lie or try to avoid your company.
Robert Cormier
Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It's all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get?
At the very least we want a witness. We can't...
Margaret Atwood