Excited Quotes (displaying: 1 - 30 of 1502 quotes )
excitement is found along the road, not at the end, and likewise, peace is not a fixed point-except perhaps in the unwanted "rest in peace" sense. PEACE is the breathing space between destinations, between excitements, an occasional part of the journey, if you're lucky. PEACE is a space you move through very rarely, and very briefly-but your not allowed to stay there. you have to keep moving, and go do what you do. because you can...
I think I’m greedy, but I’m not greedy for money – I think that can be a burden – I’m greedy for an exciting life. I want it to be exciting all the time, and I get it, actually. On the other hand, I can find excitement, I admit, in raindrops falling on a puddle and a lot of people wouldn’t. I intend to have it exciting until the day I fall over.
You must feel a certain lack of excitement in these accouncements. No garish posters, no bright lights, none of the paraphernalia with which the entertainment industry whips up a jaded public. But in a day or so these simple notices will begin to take on all the excitement of the shimmering marquee. When there are no signs ten feet high, five feet will do. When there are none five feet high, one foot serves well enough. It isn't the color or brightness or size of a poster which makes it exciting. It's the experiences which have accompanied similar posters in the past. The excitement is a conditioned reflex. Our bulletin board is our Great White Way, and we're dazzled by it.
Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour.
You know what I was thinking? [Ruthie] got so excited when she was spouting this ahistorical countertextual nonsense, and I caught myself thinking, 'What an idiot her teacher must be,' and thinking about her teacher made me realize - the kind of excitement she was showing as she mindlessly spouted back the nonsense she learned in college, that's just like the excitement some of my own students show. And it occurred to me that what we professors think of as a 'brilliant student' is nothing but a student who is enthusiastically converted to whatever idiotic ideas we've been teaching them."Self-knowledge is a painful thing," said Esther. "To learn that your best students are parrots after all.
If many of our young people have lost the excitement of the early settlers, who had a country to explore and develop, it is because no one remembers to tell them that the world has never been so challenging, so exciting... Perhaps the older generation is often to blame with its cautious warning: “Take a job that will give you security, not adventure.” But I say to the young: “Do not stop thinking of life as an adventure. You have no security unless you can live bravely, excitingly, and imaginatively; unless you can choose a challenge instead of a competence.
The tender plant of spirituality will die if exposed too early to the action of a constant change of ideas and ideals. Many people, in the name of what may be called religious liberalism, may be seen feeding their idle curiosity with a continuous succession of different ideals. With them, hearing new things grows into a kind of disease, a sort of religious drink-mania. They want to hear new things just by way of getting a temporary nervous excitement, and when one such exciting influence has had its effect on them, they are ready for another. Religion is with these people a sort of intellectual opium-eating, and there it ends.
The enemy stopped shooting, and that strict, menacing, inaccessible, and elusive line that separates two enemy armies became all the more clearly felt. “One step beyond that line, reminiscent of the line separating the living from the dead, and it’s the unknown, suffering, and death. And what is there? who is there? there, beyond this field, and the tree, and the roof lit by the sun? No one knows, and you would like to know; and you’re afraid to cross that line, and would like to cross it; and you know that sooner or later you will have to cross it and find out what is there on the other side of the line, as you will inevitably find out what is there on the other side of death. And you’re strong, healthy, cheerful, and excited, and surrounded by people just as strong and excitedly animated.” So, if he does not think it, every man feels who finds himself within sight of an enemy, and this feeling gives a particular brilliance and joyful sharpness of impression to everything that happens in those moments.
Gradually it became clear that it is a fundamental error to try to give the sexual act a psychological interpretation, to attribute to it a psychic meaning as if it were a neurotic symptom. But this is what the psychoanalysts did. On the contrary: any idea occurring in the course of the sexual act only has the effect of hindering one's absorption in the excitation. Furthermore, such psychological interpretations of genitality constitute a denial of genitality as a biological function. By composing it of non-genital excitations, one denies the existence of genitality. The function of the orgasm, however, had revealed the qualitative difference between genitality and pregenitality. Only the genital apparatus can provide orgasm and can discharge sexual energy completely. Pregenitality, on the other hand, can only increase vegetative tensions. One readily sees the deep rift which formed here in psychoanalytic concepts.
Just as we all like love tales because there is an instinct of sex, we all like astonishing tales because they touch the nerve of the ancient instinct of astonishment. This is proved by the fact that when we are very young children we do not need fairy tales: we only need tales. Mere life is interesting enough. A child of seven is excited by being told that Tommy opened a door and saw a dragon. But a child of three is excited by being told that Tommy opened a door. Boys like romantic tales; but babies like realistic tales -- because they find them romantic. In fact, a baby is about the only person, I should think, to whom a modern realistic novel could be read without boring him.
If Innocent is happy, it is because he is innocent. If he can defy the conventions, it is just because he can keep the commandments. It is just because he does not want to kill but to excite to life that a pistol is still as exciting to him as it is to a schoolboy. It is just because he does not want to steal, because he does not covet his neighbour's goods, that he has captured the trick (oh, how we all long for it!), the trick of coveting his own goods. It is just because he does not want to commit adultery that he achieves the romance of sex; it is just because he loves one wife that he has a hundred honeymoons.
I find I'm so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
The warm night claimed her. In a moment it was part of her. She walked on the grass, and her shoes were instantly soaked. She flung up her arms to the sky. Power ran to her fingertips. Excitement was communicated from the waiting trees, and the orchard, and the paddock; the intensity of their secret life caught at her and made her run. It was nothing like the excitement of ordinary looking forward, of birthday presents, of Christmas stockings, but the pull of a magnet - her grandfather had shown her once how it worked, little needles springing to the jaws - and now night and the sky above were a vast magnet, and the things that waited below were needles, caught up in the great demand. ("The Pool")
Police protection?"If necessary."I'm touched. Why don't I give you a lift, handsome?"I'll follow you over," he repeated."Suit yourself," she began, and grazed a hand over his cheek. Her eyes widened slightly as his fingers clamped on her wrist. "Don't like to be petted?" She purred the words, surprised at how her heart had jumped and started to race. "Most animals do."His face was very close to hers, their bodies were just touching, with the heat from the room and something even more sweltering between them. Something old, and almost familiar. He drew her hand down slowly, kept his fingers on her wrist."Be careful what buttons you push."Excitement, she realized with surprise. It was pure, primal excitement that zipped through her. "Wasted advice," she said silkily, daring him. "I enjoy pushing new ones. And apparently you have a few interesting buttons just begging for attention." She skimmed her gaze deliberately down to his mouth. "Just begging.
When you fall in love, it is a temporary madness. It erupts like an earthquake, and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots are become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the desire to mate every second of the day. It is not lying awake at night imagining that he is kissing every part of your body. No... don't blush. I am telling you some truths. For that is just being in love; which any of us can convince ourselves we are. Love itself is what is left over, when being in love has burned away. Doesn't sound very exciting, does it? But it is!
One step across the dividing line, so like the one between the living and the dead and you enter an unknown world of suffering and death. What will you find there? Who will be there? There, just just beyond the field, that tree, that sunlit roof? No one knows, and yet you want to know. You dread crossing that line, and yet you want to cross it. You know sooner or later you will have to go across and find out what is there beyond it, just as you must inevitably found out what lies beyond death. Yet here you are, fit and strong, carefree and excited, with men all around you just the same- strong, excited and full of life.' This is what all men think when they get sight of the enemy, or they feel it if they do not think it, and it is this feeling that gives a special lustre and a delicious edge to the awareness of everything that is now happening.
It is enough to say that her perception of the endless interest of the place was such as might have been expected in a young woman of her intelligence and culture. She had always been fond of history, and here was history in the stones of the street and the atoms of the sunshine. She had an imagination that kindled at the mention of great deeds, and wherever she turned some great deed had been acted. These things excited her but they had been quietly excited... To her own knowledge she was very happy; she would have even been willing to believe that these were to be on the whole the happiest hours of her life. The sense of mighty human past was upon her, but it was interfused in the strangest, suddenest, most capricious way, with fresh cool breath of the future. Her feelings were so mingled that she scarcely knew whither any of them would lead her, and she went about in a kind of repressed ecstasy of contemplation, seeing often in the things she looked at a great deal more than was there.
I have never learned how to arrange my face into that blank expression of competent invisibility that is so useful when traveling in dangerous, foreign places. You know—that super-relaxed, totally-in-charge expression which makes you look like you belong there, anywhere, everywhere, even in the middle of a riot in Jakarta. Oh, no. When I don’t know what I’m doing, I look like I don’t know what I’m doing. When I’m excited or nervous, I look excited or nervous. And when I am lost, which is frequently, I look lost. My face is a transparent transmitter of my every thought. As David once put it, “You have the opposite of poker face. You have, like . . . miniature golf face.
One step beyond that boundary line which resembles the line dividing the living from the dead lies uncertainty, suffering, and death. And what is there? Who is there?--there beyond that field, that tree, that roof lit up by the sun? No one knows, but one wants to know. You fear and yet long to cross that line, and know that sooner or later it must be crossed and you will have to find out what is there, just as you will inevitably have to learn what lies the other side of death. But you are strong, healthy, cheerful, and excited, and are surrounded by other such excitedly animated and healthy men.
Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot.Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm....The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)