Exit Quotes (page 2)
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The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor — not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies “out there” in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the...
Stephen Jay Gould
What say you, Luxa?" said Vikus."What can I say, Vikus? Can I return to our people and tell them I withdrew from the quest when our survival hangs in the balance?" said Luxa bitterly."Of course you cannot, Luxa. This is why he times it so," said Henry."You could choose to - " started Vikus."I could choose! I could choose!" retorted Luxa. " Do not offer me a choice when you know none exits!" She and Henry turned their backs on Vikus.
Suzanne Collins
But tomorrow I'll be a different person, never again the person I was. Not that anyone will notice after I'm back in Japan. On the outside nothing will be different. But something inside has burned up and vanished. Blood has been shed, and something inside me is gone. Head down, without a word, that something makes its exit. The door opens; the door shuts. The light goes out. This is the last day for the person I am right now. The very last twilight. When dawn comes, the person I am...
Haruki Murakami
As I see it, a successful story of any kind should be almost like hypnosis: You fascinate the reader with your first sentence, draw them in further with your second sentence and have them in a mild trance by the third. Then, being careful not to wake them, you carry them away up the back alley of your narrative and when they are hopelessly lost within the story, having surrendered themselves to it, you do them terrible violence with a softball bag and then lead them whimpering to the exit on...
Alan Moore
I removed the freeway from its temporal context. Overpasses, cloverleafs, exit ramps took on the personality of Mayan ruins for me. Without destination, without cessation, my run was often silent and empty; there were no increments, no arbitrary graduations reducing time to functional units. I abstracted and purified.
Tom Robbins
Emmanuelson said good-bye to me; he started to walk, and then came back and said good-bye once more. I sat in the car and watched him, and I think that as he went he was pleased to have a spectator. I believe that the dramatic instinct within him was so strong that he was at this moment vividly aware of being leaving the stage, of disappearing, as if he had, with the eyes of his audience, seen himself go. Exit Emmanuelson. Should not the hills, the thorn-trees and the dusty road take pity and...
Isak Dinesen
The fact is unalterable, that a fellow-mortal with whose nature you are acquainted solely through the brief entrances and exits of a few imaginative weeks called courtship, may, when seen in the continuity of married companionship, be disclosed as something better or worse than what you have preconceived, but will certainly not appear altogether the same.
George Eliot