He Quotes (page 568)
![Bram Stoker quote: "No man knows till he experiences it, what it is like to feel..."](/pic/338388/600x316/quotation-bram-stoker-no-man-knows-till-he-experiences-it-what-it-is.jpg)
See?" Fezzik pointed then. Far down, at the very bottom of the mountain path, the man in black could be seen running. "Inigo is beaten."Inconceivable!" exploded the Sicilian.Fezzik never dared disagree with the hunchback. "I'm so stupid," Fezzik nodded. "Inigo has not lost to the man in black, he has defeated him. And to prove it he has put on all the man in black's clothes and masks and hoods and boots and gained eighty pounds.
William Goldman
Remember then: there is only one time that is important-- Now! It is the most important time because it is the only time when we have any power. The most necessary man is he with whom you are, for no man knows whether he will ever have dealings with any one else: and the most important affair is, to do him good, because for that purpose alone was man sent into this life!
Leo Tolstoy
To be godless is probably the first step to innocence," he said, "to lose the sense of sin and subordination, the false grief for things supposed to be lost."So by innocence you mean not an absence of experience, but an absence of illusions."An absence of need for illusions," he said. "A love of and respect for what is right before your eyes.
Anne Rice
That the hand of God was involved in the birth of the new nation he had no doubt. "It is the will of heaven that the two countries should be sundered forever." If the people now were to have "unbounded power," and as the people were quite capable of corruption as "the great," and thus high risks were involved, he would submit all his hopes and fears to an overruling providence, "in which unfashionable as the faith may be, I firmly believe.
David McCullough
I suppose next time I come home I shall find you wearing false moustaches—or are you doing so now?'
Poirot winced. His moustaches had always been his sensitive point. He was inordinately proud of them. My words touched him on the raw.
'No, no, indeed, mon ami. That day, I pray the good God, is still far off. The false moustaches! Quelle Horreur!’
He tugged at them vigorously to assure me of their genuine character.
'Well, they are very luxuriant still,' I said.
'N’est-ce pas?...
Agatha Christie
When we want to give expression to a dramatic situation in our lives, we tend to use metaphors of heaviness. We say that something has become a great burden to us. We either bear the burden or fail and go down with it, we struggle with it, win or lose. And Sabina - what had come over her? Nothing. She had left a man because she felt like leaving him. Had he persecuted her? Had he tried to take revenge on her? No. Her drama was a drama not of heaviness but of lightness. What fell to her lot...
Milan Kundera