Ink Quotes (displaying: 1 - 30 of 249 quotes )
You haven’t given me any ink,” he said. “Oh, you won’t need ink,” said Professor Umbridge with the merest suggestion of a laugh in her voice. Harry placed the point of the quill on the paper and wrote: I must not tell lies. He let out a gasp of pain. The words had appeared on the parchment in what appeared to be shining red ink. At the same time, the words had appeared on the back of Harry’s right hand, cut into his skin as though traced there by a scalpel — yet even as he stared at the shining cut, the skin healed over again, leaving the place where it had been slightly redder than before but quite smooth. Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile. “Yes?” “Nothing,” said Harry quietly.
Well then, we went and had tea with Henry James today…and Henry James fixed me with his staring blank eye—it is like a childs marble—and said ‘My dear Virginia, they tell me—they tell me—they tell me—that you—as indeed being your fathers daughter nay your grandfathers grandchild—the descendant I may say of a century—of a century—of quill pens and ink—ink—ink pots, yes, yes, yes, they tell me—ahm m m—that you, that you, that you write in short.’ This went on in the public street, while we all waited, as farmers wait for the hen to lay an egg—do they?—nervous, polite, and now on this foot now on that.
Where are those tears in your eyes, my child? How horrid of them to be always scolding you for nothing! You have stained your fingers and face with ink while writing-is that why they call you dirty? O, fie! Would they dare to call the full moon dirty becauseit has smudged its face with ink? For every little trifle they blame you, my child. They areready to find fault for nothing. You tore your clothes while playing-is that why they call youuntidy? O, fie! What would they call an autumn morning that smilesthrough its ragged clouds? Take no heed of what they say to you, my child. They make a long list of your misdeeds. Everybody knows how you love sweet things-is that why theycall you greedy? O, fie! What then would they call us who love you?
Death went on, If I'd sent you, with your taste for expeditious methods, the matter would have been resolved, but times have changed a lot lately, and one has to update the means and the systems one uses, to keep up with the new technologies, by using e-mail, for example, I've heard tell that it's the most hygienic way, one that does away with inkblots and fingerprints, besides which it's fast, you just open up outlook express on microsoft and it's gone, the difficulty would be having to work with two separate archives, one for those who use computers and another for those who don't, anyway, we've got plenty of time to think about it, they're always coming out with new models and new designs, with new improved technologies, perhaps I'll try it some day, but until then, I'll continue to write with pen, paper and ink, it has the charm of tradition, and tradition counts for a lot when it comes to dying.
The script sits in front of you. The writer’s translated into ink what is in his spirit and his soul and his mind. Bum. [Thumps table.] I come along, I pick it up, and the ink goes into my eyes, into my mind, into my body, flows around and that part starts to inhabit me. And I know a good part when I see one.
Printer's ink has been running a race against gunpowder these many, many years. Ink is handicapped, in a way, because you can blow up a man with gunpowder in half a second, while it may take twenty years to blow him up with a book. But the gunpowder destroys itself along with its victim, while a book can keep on exploding for centuries.
February. Boris Pasternak. It's February. Get ink. Weep. Write the heart out about it, sing. Another song of February. While raucous slush burns black with spring. Six grivnas* for a buggy ride. Past booming bells, on screaming gears, Out to a place where drizzles fall. Louder than any ink or tears. Where like a flock of charcoal pears, A thousand blackbirds, ripped awry. From trees to puddles, knock dry grief. Into the deep end of the eye. A thaw patch blackens underfoot. The wind is gutted with a scream. True verses are the most haphazard, Rhyming the heart out on a theme.*Grivna: a unit of currency.
The inkstand is full of ink, and the paper lies white and unspotted, in the round of light thrown by a candle. Puffs of darkness sweep into the corners, and keep rolling through the room behind his chair. The air is silver and pearl, for the night is liquid with moonlight. See how the roof glitters, like ice! Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night.
Don't be afraid to make corrections! Whether the voice came from her memory or was a last whisper from the blinding new star far above, Nita never knew. But she knew what to do. While Kit was still on the first part of the name she pulled out her pen, her best pen that Fred had saved and changed. She clicked it open. The metal still tingled against her skin, the ink at the point still glittered oddly- the same glitter as the ink with which the bright Book was written. Nita bent quickly over the Book and with the pen, in lines of light, drew from the final circle an arrow pointing up-ward, the way out, the symbol that said change could happen- if, only if-
You can’t miss your schedule. Every morning, you’re supposed to stick your right arm in this contraption in the wall. It tattoos the smooth inside of your forearm with your schedule for the day in a sickly purple ink. 7:00—Breakfast. 7:30—Kitchen Duties. 8:30—Education Center, Room 17. And so on. The ink is indelible until 22:00—Bathing
I like the Cyclostyle ink; it is so inky. I do not think there is anyone who takes quite such a fierce pleasure in things being themselves as I do. The startling wetness of water excites and intoxicates me: the fieriness of fire, the steeliness of steel, the unutterable muddiness of mud. It is just the same with people.... When we call a man "manly" or a woman "womanly" we touch the deepest philosophy.
February. Get ink, shed tears. Write of it, sob your heart out, sing, While torrential slush that roars. Burns in the blackness of the spring. Go hire a buggy. For six grivnas, Race through the noice of bells and wheels. To where the ink and all you grieving. Are muffled when the rainshower falls. To where, like pears burnt black as charcoal, A myriad rooks, plucked from the trees, Fall down into the puddles, hurl. Dry sadness deep into the eyes. Below, the wet black earth shows through, With sudden cries the wind is pitted, The more haphazard, the more true. The poetry that sobs its heart out.
Yes, every evening. Your mother enjoyed it. That evening she chose Inkheart. She always did like tales of adventure? stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side, by the way. There didn't seem to be any of them in Inkheart, but there was any amount of brightness and darkness, fairies and goblins. Your mother liked goblins as well: hobgoblins, bugaboos, the Fenoderee, the folletti with their butterfly wings, she knew them all. So we gave you a pile of picture books, sat down on the rug beside you, and I began to read.
But love, first learnd in a lady's eyes, Lives not alone immurd in the brain, But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices. It adds a precious seeing to the eye; A lover's eyes will gaze an eagle blind; A lover's ears will hear the lowest sound, When the suspicious head of theft is stopped: Love's feeling is more soft and sensible Than are the tender horns of cockled snails: Love's tongue proves dainty Baccus gross in taste. For valour, is not love a Hercules, Still climbing trees in the Hesperides? Subtle as Sphinx; as sweet and musical As bright Apollo's lute, strung with his hair; And when Love speaks, the voice of all the gods Makes heaven drowsy with the harmony. Never durst poet touch a pen to write Until his ink were tempered with Love's sighs.
Once the quietness arrived, it stayed and spread in Estha. It reached out of his head and enfolded him in its swampy arms. It rocked him to the rhythm of an ancient, fetal heartbeat. It sent its stealthy, suckered tentacles inching along the insides of his skull, hoovering the knolls and dells of his memory; dislodging old sentences, whisking them off the tip of his tongue. It stripped his thoughts of the words that described them and left them pared and naked. Unspeakable. Numb. And to an observer therefore, perhaps barely there. Slowly, over the years, Estha withdrew from the world. He grew accustomed to the uneasy octopus that lived inside him and squirted its inky tranquilizer on his past. Gradually the reason for his silence was hidden away, entombed somewhere deep in the soothing folds of the fact of it.
She knew it the way people say they know they are about to be hit by lightning, yet remain powerless to run, unable to avoid their fate. She panicked, as anyone might have when disparate parts of her life were about to crash into each other, certain to leave a path of anguish and debris. It was true that devotion could be lost as quickly as it was found, which was why some people insisted that love letters be written in ink. How easy it was for even the sweetest words to evaporate, only to be rewritten as impulse and infatuation might dictate. How unfortunate that love could not be taught or trained, like a seal or a dog. Instead it was a wolf on the prowl, with a mind of its own, and it made its own way, undeterred by the damage done. Love like this could turn honest people into liars and cheats, as it now di?
The day after his father left, Franz and his mother went into town together, and as they left home Franz noticed that her shoes did not match. He was in a quandary: he wanted to point out the mistake, but was afraid he would hurt her. So, during the two hours they spent walking through the city together he kept his eyes focused on her feet. It was then he had his first inkling of what it means to suffer.
They's lots of work in this world that aint never paid for. But the accounts gets balanced anyway. In the long run. A man that contracts for work and then dont pay for it, the world will reckon with him fore it's out. With the worker too. You live long enough and you'll see it. They's a ledger kept that the pages dont never get old nor crumbly nor the ink dont never fade. If it dont balance then they aint no right in this world and if they aint then where did I hear of it at? Where did you? Only way it wont is you start retribution on you own. You start retribution on you own you'll be on you own. That man up there ain goin to help you. Aint no use even to ask.
Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .