Likes Quotes (page 344)
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When I go away from you. The world beats dead. Like a slackened drum. I call out for you against the jutted stars. And shout into the ridges of the wind. Streets coming fast, One after the other, Wedge you away from me, And the lamps of the city prick my eyes. So that I can no longer see your face. Why should I leave you, To wound myself upon the sharp edges of the night?
Amy Lowell
And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time. There is a good deal of comfort, now, in remembering this.
Margaret Atwood
By the time dusk fell, he was back in his room. The last of the daylight lay like fine ashes on the roof-tops. He did not light his lamp, but sat by the fireplace in the dark, seeking in the far distance of his past some vague memory of a love-affair, some recollection of a friendship, with which to soften the hard tyranny of isolation.
Francois Mauriac
The dowager said, “I was tremendously struck by what you said at the gym the other day. About powerlessness. About how powerlessness inflicts such damage on people. Do you remember?” Aomame nodded. “I do.” “Do you mind if I ask you a question? It will be a very direct question. To save time.” “Ask whatever you like,” Aomame said. “Are you a feminist, or a lesbian?” Aomame blushed slightly and shook her head. “I don’t think so. My thoughts on such matters are strictly my own. I’m not a...
Haruki Murakami
There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity - like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule - that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel - it's vulgar.
Molly Ivins
Two-thirds of American movies are extensions of commercials? they tell you how to feel and they tell you how to think? rather than letting you figure it out on your own," said Arkin, who has been acting since the 1960s and won the supporting actor Oscar for "Little Miss Sunshine." "Ben treats the audience like adults. He doesn't shove you into endless close-ups, and the music doesn't tell you what's going to happen next, which is something I hate in American movies.
Alan Arkin
Remember, how often the great art of the past didn't look great at first, how often it didn't look like art at all; how much easier it is, decades or centuries later, to adore it, not only because it is, in fact, great but because it's still here; because the inevitable little errors and infelicities tend to recede in an object that's survived the War of 1812, the eruption of Krakatoa, the rise and fall of Nazism.
Michael Cunningham