Looking Down Quotes (page 17)
Autunm eats its leaf out of my hand: we are friends. From the nuts we shell time and we teach it to walk: then time returns to the shell. In the mirror it's Sunday, in dream there is room for sleeping, our mouths speak the truth. My eye moves down to the sex of my loved one: we look at each other, we exchange dark words, we love each other like poppy and recollection, we sleep like wine in the conches, like the sea in the moon's blood ray. We stand by the window embracing, and people look up...
Paul Celan
A here exists only in relation to a there, not the other way around. There's this only because there's that; if we don't look up, we'll never know what's down. Think of it, boy. We find ourselves only by looking what we're not. You can't put your feet on the ground until you've touched the sky.
Paul Auster
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Bret Easton Ellis
Thomas More: Will, I'd trust you with my life. But not your principles. You see, we speak of being anchored to our principles. But if the weather turns nasty you up with an anchor and let it down where there's less wind, and the fishing's better. And "Look," we say, "look, I'm anchored! To my principles!
Robert Bolt
At ten, she was moreover noisy and wild, hated confinement and cleanliness and loved nothing so well in the world as rolling down the green slope at the back of the house. At fifteen, appearances were mending; she began to curl her hair and long for balls; her complexion improved, her features were softened by plumpness and colour, her eyes gained more animation, and her figure more consequence. Her love of dirt gave away to inclination for finery, and she grew clean as she grew smart. To...
Jane Austen
THE FOX AND THE CROWA Crow was sitting on a branch of a tree with a piece of cheese in her beak when a Fox observed her and set his wits to work to discover some way of getting the cheese. Coming and standing under the tree he looked up and said, "What a noble bird I see above me! Her beauty is without equal, the hue of her plumage exquisite. If only her voice is as sweet as her looks are fair, she ought without doubt to be Queen of the Birds." The Crow was hugely flattered by this, and just...
Aesop
Caro sat without speaking, turning toward him her look that was neither sullen nor expectant but soberly attentive; and, once, a glance in which tenderness and apprehension were great and indivisible, giving unbearable, excessive immediacy to the living of these moments. Paul had seen that look before, when they first lay down together at the inn beyond Avebury Circle.
Shirley Hazzard
Why don't people ask us about our hope? The answer is probably that we look as if we hope in the same things they do. Our lives don't look like they are on the Calvary road, stripped down for sacrificial love, serving others with the sweet assurance that we don't need to be rewarded in this life.
John Piper
Someday you'll find the place. It's the place where love takes over hate. Then you'll see all the things you do. Affect everyone around you. Then you'll see there's no fear at all. You held my hand, we took down that wall. As I looked at you with nothing to say. Now I understand why you pushed me away. I looked far and now I see. That the only one I needed was me
Hilary Duff
Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look.
Flannery O'Connor