Opens Quotes (page 97)
Take care," he said, "take care how you cut yourself. It is more dangerous that you think in this country." Then seizing the shaving glass, he went on, "And this is the wretched thing that has done the mischief. It is a foul bauble of man's vanity. Away with it!" And opening the window with one wrench of his terrible hand, he flung out the glass, which was shattered into a thousand pieces on the stones of the courtyard far below. Then he withdrew without a word. It is very annoying, for I do...
Bram Stoker
This is life, the one you get so go and have a ball, because the world don't move, to the beat of just one drum. What might be right for you, may not be right for some. You take the good, you take the bad, you take them both and there you have my opening statement..sit ubu sit. Good dog.
Seth MacFarlane
Angelique, with both hands open, lying limply on her knees, was giving herself. And Felicien remembered the evening on which she had run barefoot through the grass, so adorable that he had pursued her, and whispered in her ear, "I love you". And he understood full well that only now had she replied, with the same cry, "I love you." And he understood full well that only now had she replied, with the same cry, "I love you", the eternal cry that had finally emerged from her wide-open heart. "I...
Emile Zola
Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window. Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.
Terence McKenna
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.
Evelyn Waugh
In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.
Anais Nin