Siding Quotes (page 45)
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I felt like lying down by the side of the trail and remembering it all. The woods do that to you, they always look familiar, long lost, like the face of a long-dead relative, like an old dream, like a piece of forgotten song drifting across the water, most of all like golden eternities of past childhood or past manhood and all the living and the dying and the heartbreak that went on a million years ago and the clouds as they pass overhead seem to testify (by their own lonesome familiarity) to...
Jack Kerouac
The use of fashions in thought is to distract men from their real dangers. We direct the fashionable outcry of each generation against those vices of which it is in the least danger, and fix its approval on the virtue that is nearest the vice which we are trying to make endemic. The game is to have them all running around with fire extinguishers whenever there’s a flood; and all crowding to that side of the boat which is already nearly gone under.
C. S. Lewis
. . . Oh, for heaven’s sake, Sirius, Dumbledore said no!”
A bearlike black dog had appeared at Harry’s side as Harry clambered over the various trunks cluttering the hall to get to Mrs. Weasley.
“Oh honestly . . .” said Mrs. Weasley despairingly, “well, on your own head be it!”
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The great black dog gave a joyful bark and gamboled around them, snapping at pigeons, and chasing its own tail. Harry couldn’t help laughing. Sirius had been trapped inside for a very long time.
J. K. Rowling
The denier that ID [intelligent design] is science faces the following dilemma. Either he admits that the intervention of such a designer is possible, or he does not. If he does not, he must explain why that belief is more scientific than the belief that a designer is possible. If on the other hand he believes that a designer is possible, then he can argue that the evidence is overwhelmingly against the actions of such a designer, but he cannot say that someone who offers evidence on the...
Thomas Nagel
Since poetry deals with the singular, not the general, it cannot - if it is good poetry - look at things of this earth other than as colorful, variegated, and exciting, and so, it cannot reduce life, with all its pain, horror, suffering, and ecstasy, to a unified tonality of boredom and complaint. By necessity poetry is therefore on the side of being and against nothingness.
Czeslaw Milosz
