Wax Quotes (page 4)
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High Pasture. Come up--come up: in the dim vale below. The autumn mist muffles the fading trees, But on this keen hill-pasture, though the breeze. Has stretched the thwart boughs bare to meet the snow, Night is not, autumn is not--but the flow. Of vast, ethereal and irradiate seas, Poured from the far world's flaming boundaries. In waxing tides of unimagined glow. And to that height illumined of the mindhe calls us still by the familiar way, Leaving the sodden tracks of life behind, Befogged...
Edith Wharton
If there were reason for these miseries, then into limits could I bind my woes. If the winds rages, doth not the sea wax mad, threat'ning the welkin with its big-swoll'n face? And wilt though have a reason for this coil? I am the sea. Hark how her sighs doth blow. She is the weeping welkin, I the earth.
William Shakespeare
Lie there panning, looking, all ribs and elbows and dilated eyes. The awake floor is littered with gear and dirty clothes, blond hardwood with sealed seams, two throw-rugs, the bare waxed wood shiny in the windows' snowlight, the floor neutral, faceless, you cannot see any face in the floor, awake, lying there, faceless, blank, dilated, playing beam over floor again and again, not sure all night forever unsure you're not missing something that's right there: you lie there, awake and almost...
David Foster Wallace
Nothing but the sight of blood upon his dark face would ease the pain in her heart. She lunged for him, swift as a cat, but with a light startled movement, he sidestepped, throwing up his arm to ward her off. She was standing on the edge of the freshly waxed top step, and as her arm with the whole weight of her body behind it, struck his out-thrust arm, she lost her balance. She made a wild clutch for the newel post and missed it. She went down the stairs backwards, feeling a sickening dart...
Margaret Mitchell
Not a single object seems to possess a practical use. The antechamber itself seems useless, a sort of vestibule to a barn, It is exactly the same sort of sensation I get when I enter the Comedie-Francaise or the Palaise- Royal Theatre; ; it is a world of bric-a-brac, of trap doors, of arms and busts and waxed floors, of candelabras and men in armor, of statues without eyes and love letters lying in glass cases. Something is going on, but it makes no sense; it's like finishing the half-empty...
Henry Miller
