Which Quotes (page 6)
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I have neither the scholar's melancholy, which is emulation; nor the musician's, which is fantastical; nor the courtier's, which is proud; not the soldier's which is ambitious; nor the lawyer's, which is politic; nor the lady's, which is nice; nor the lover's, which is all these: but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and indeed the sundry contemplation of my travels, which, by often rumination, wraps me in a most humorous sadness.
William Shakespeare
My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the...
Maurice Blanchot
A person does not, as I had imagined, stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourselves (like a garden at which we gaze through a railing with all its borders spread out before us), but is a shadow which we can never penetrate, of which there can be no such thing as direct knowledge, with respect to which we form countless beliefs, based upon words and sometimes actions, neither of which can give us anything but...
Marcel Proust
I liked it all, but most of all I liked the fact that although the play was entirely focused on Quintana there were, five evenings and two afternoons a week, these ninety full minutes, the run time of the play, during which she did not need to be dead. During which the question remained open. During which the denouement had yet to play out. During which the last scene played did not necessarily need to be played in the ICU overlooking the East River. During which the bells would not...
Joan Didion
We are, when we love, in an abnormal state, capable of giving at once to the most apparently simple accident, an accident which may at any moment occur, a seriousness which in itself it would not entail. What makes us so happy is the presence in our hearts of an unstable element which we contrive perpetually to maintain and of which we cease almost to be aware so long as it is not displaced. In reality, there is in love a permanent strain of suffering which happiness neutralises, make...
Marcel Proust
For the word "We" must never be spoken, save by one's choice and as a second thought. This word must never be placed first within man's soul, else it becomes a monster, the root of all the evils on earth, the root of man's torture by men, and of an unspeakable lie. The word "We" is as lime poured over men, which sets and hardens to stone, and crushes all beneath it, and that which is white and that which is black are lost equally in the grey of it. It is the word by which the depraved steal...
Ayn Rand
Nevsky Avenue"Here you come across moustaches so wonderful that neither pen nor brush can do justice to them, moustaches to which the best years of a lifetime have been devoted-the object of long hours of vigil by day and by night; moustaches upon which all the perfumes of Arabia have been lavished, the most exquisite scents and essences, and which have been anointed with the rarest and most precious pomades; moustaches which are wrapped up for the night in the most delicate vellum;...
Nikolai Gogol
Because it is the nature of love to create, a marriage itself is something which has to be created, so that, together we become a new creature.
To marry is the biggest risk in human relations that a person can take…If we commit ourselves to one person for life this is not, as many people think, a rejection of freedom; rather it demands the courage to move into all the risks of freedom, and the risk of love which is permanent; into that love which is not possession, but participation…It...
Madeleine L'Engle
Behind him she saw something which by contrast with the alien incalculable figure before her, was close and real. It was something which she understood, something which she could never do without, or be without, for it seemed as though it were her own self, her own body, at which she gazed and which lay so intimately upon the skyline. Gormenghast. The long, notched outline of her home. It was now his background. It was a screen of walls and towers pocked with windows. He stood against it, an...
Mervyn Peake