Passage Quotes (displaying: 1 - 30 of 300 quotes )
You will find yourself among people. There is no help for this nor should you want it otherwise. The passages where no one waits are dark and hard to navigate. The wet walls touch your shoulders on each side. When the trees were there I cared that they were there. And now they are gone, does it matter? The passages where no one waits go on and give no promise of an end. You will find yourself among people, Faces, clothing, teeth and hair and words, and many words When there was life, I said that life was wrong. What do I say now? You understand?
Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."
When a brother is given the right to pass into the third life as a father, then he chooses his greatest rival or his truest friend to give him passage. You. Speaker - ever since I first learned Stark and read the Hive Queen and the Hegemon, I waited for you. I said many times to my father, Rooter, of all humans he is the one who will understand us. Then Rooter told me when your starship came, that it was you and the hive queen aboard that ship, and I knew then that you had come to give me passage, if only I did well.""You did well, Human.
The resurrection does not consist merely of the appearances of Jesus to his disciples after his death. Many think that these appearances in Galilee and Jerusalem are the resurrection. But they are simply to confirm the faith of the disciples. The real resurrection is the passing beyond the world altogether. It is Jesus' passage from this world to the Father. It was not an event in space and time, but the passage beyond space and time to the eternal, to reality. Jesus passed into reality. That is our starting point. It is into that world that we are invited to enter by meditation. We do not have to wait for physical death, but we can enter now into that eternal world. We have to go beyond the outer appearances of the senses and beyond the concepts of the mind, and open ourselves to the reality of Christ within, the Christ of the resurrection.
Time present and time past Are both perhaps present in time future, And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened Into the rose-garden. My words echo Thus, in your mind. But to what purpose Disturbing the dust on a bowl of rose-leaves I do not know. Other echoes Inhabit the garden. Shall we follow?” <...> Go, said the bird, for the leaves were full of children, Hidden excitedly, containing laughter. Go, go, go, said the bird: human kind Cannot bear very much reality. Time past and time future What might have been and what has been Point to one end, which is always present.
For everything there is a season. I'd miss having the seasons, people from New York like to say by way of indicating the extraordinary pride they take in not living in Southern California. In fact Southern California does have seasons (it has for example "fire season" or "the season when the fire comes," and it also has the season when the rains comes, but such Southern California seasons, arriving as they do so theatrically as to seem strokes of random fate, do not inexorably suggest the passage of time. Those other seasons, the ones so prized on the East Coast, do. Seasons in Southern California suggest violence, but not necessarily death. Seasons in New York-the relentless dropping of the leaves, the steady darkening of the days, the blue nights themselves-suggest only death.
Nature, who has played so many queer tricks upon us, making us so unequally of clay and diamonds, of rainbow and granite, and stuffed them into a case, often of the most incongruous, for the poet has a butche?s face and the butcher a poe?s; nature, who delights in muddle and mystery, so that even now (the first of November, 1927) we know not why we go upstairs, or why we come down again, our most daily movements are like the passage of a ship on an unknown sea, and the sailors at the mast-head ask, pointing their glasses to the horizon: Is there land or is there none? to which, if we are prophets, we make answer?Ye?; if we are truthful we say?N?; nature, who has so much to answer for besides the perhaps unwieldy length of this sentence, has further complicated her task and added to our confusion by providing not only a perfect ragbag of odds and ends within u?a piece of a policema?s trousers lying cheek by jowl with Queen Alexandr?s wedding vei?but has contrived that the whole assortment shall be lightly stitched together by a single thread. Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind. Instead of being a single, downright, bluff piece of work of which no man need feel ashamed, our commonest deeds are set about with a fluttering and flickering of wings, a rising and falling of lights.
We dress our garden, eat our dinners, discuss the household with our wives, and these things make no impression, are forgotten next week; but in the solitude to which every man is always returning, he has a sanity and revelations, which in his passage into new worlds he will carry with him. Never mind the ridicule, never mind the defeat: up again, old heart!? it seems to say,? there is victory yet for all justice; and the true romance which the world exists to realize, will be the transformation of genius into practical power.
So one must be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...
I’m always intrigued by my nonsensical concern with picking out a bunch of things that look exactly alike the ones that somehow I feel are the best and belong to me. It’s that same crazy urge or superstition, or whatever it is, that makes me open a Bible in a hotel room, hoping for some great happenstance spiritual word of advice. More often than not, I hit a long passage of begats and begots, which contain little inspiration other than the fact that procreation is the highest aim of life.
My prolonged study of these photographs led me to appreciate the importance of perserving certain moments for prosperity , and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives.To watch my uncle pose my brother a maths problem , and at the same time to see him in a picture taken thirty-two years earlier ; to watch my father scanning the newspaper and trying , with a half-smile , to catch the tail of a joke rippling across the crowded room,and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When,in the tones ordinarily preserved for discussing the founding of a nation , my grandmother spoke of my grandfather who had died so young,and pointed at the frames on the tables and the walls , it seemed that she , likes me , was pulled in two directions , wanting to get on with life but also longing to capture the moment of perfection , savouring the ordinary life but still honouring the ideal.But even as I pondered these dilemmas-if you plucked a special moment from life and framed it , were you defying death , decay and the passage of time. or were you submitting to them ?-I grew very bored with them.pg.13
You can see the same immorality or amorality in the Christian view of guilt and punishment. There are only two texts, both of them extreme and mutually contradictory. The Old Testament injunction is the one to exact an eye for an eye and a tooth for a tooth (it occurs in a passage of perfectly demented detail about the exact rules governing mutual ox-goring; you should look it up in its context (Exodus 21). The second is from the Gospels and says that only those without sin should cast the first stone. The first is a moral basis for capital punishment and other barbarities; the second is so relativistic and "nonjudgmental" that it would not allow the prosecution of Charles Manson. Our few notions of justice have had to evolve despite these absurd codes of ultra vindictiveness and ultracompassion.
The passage of time has not altered the capacity of the Redeemer to change men’s lives. As he said to the dead Lazarus, so he says to you and me: “come forth.” Come forth from the despair of doubt. Come forth from the sorrow of sin. Come forth from the death of disbelief. Come forth to a newness of life. Come forth.
Eventually I came across another passage. This is what it said:I am not commanding you, but I want to treat the sincerity of your love by comparing it to the earnestness of others.The words made me choke up again, and just as I was about to cry, the meaning of it suddenly became clear.God had finally answered me, and I suddenly knew what I had to do.
The poet Robert Browning caused considerable consternation by including the word twat in one of his poems, thinking it an innocent term. The work was Pippa Passes, written in 1841 and now remembered for the line "God's in His heaven, all's right with the world." But it also contains this disconcerting passage: Then owls and batsCowls and twatsMonks and nuns in a cloister's moods,Adjourn to the oak-stump pantry!Browning had apparently somewhere come across the word twat--which meant precisely the same then as it does now--but pronounced it with a flat a and somehow took it to mean a piece of headgear for nuns. The verse became a source of twittering amusement for generations of schoolboys and a perennial embarrassment to their elders, but the word was never altered and Browning was allowed to live out his life in wholesome ignorance because no one could think of a suitably delicate way of explaining his mistake to him.
We are now faced with the fact that tomorrow is today. We are confronted with the fierce urgency of now. In this unfolding conundrum of life and history there is such a thing as being too late. Procrastination is still the thief of time. Life often leaves us standing bare, naked and dejected with a lost opportunity. The 'tide in the affairs of men' does not remain at the flood; it ebbs. We may cry out desperately for time to pause in her passage, but time is deaf to every plea and rushes on. Over the bleached bones and jumbled residue of numerous civilizations are written the pathetic words: 'Too late.
From the beginning I've searched out those writers unafraid to stir up the emotions, who entrust me with their darkest passions, their most indestructible yearnings, and their most soul-killing doubts. I trust the great novelists to teach me how to live, how to feel, how to love and hate. I trust them to show me the dangers I will encounter on the road as I stagger on my own troubled passage through the complicated life of books that try to teach me how to die.
The roar of the traffic, the passage of undifferentiatedfaces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And what is this moment of time, this particular day in which I have foundmyself caught? The growl of traffic might be any uproar - forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath thesepavements are shells, bones and silence.