I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
Milton AveryAbout author
- Author's profession: Artist
- Nationality: american
- Born: March 7, 1885
- Died: January 3, 1965
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She finds this objectivity of hers, this clarity, almost more depressing than she can bear, not because there is anything hideous or repellant about this man but because he has now returned to the ordinary level, the level of things she can see, in all their amazing and complex particularity, but cannot touch.
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She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn that they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskin to the armpits, all that is too easy, for his impoverishment and more worthy love
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Sometimes she would cry. I was so lonely, she'd say. You have no idea how lonely I was. And I had friends, I was a lucky one, but I was lonely anyway. I admired my mother in some ways, although things between us were never easy. She expected too much from me, I felt. She expected me to vindicate her life for her, and the choices she'd made. I didn't want to live my life on her terms. I didn't want to be the model offspring, the incarnation of her ideas. We used to fight about that. I am not...
Margaret Atwood