Novel Quotes (page 33)
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From the essay "Twenty-five Things People Have a Shocking Capacity to Be Surprised by Over and Over Again"1. Journalists sometimes make things up.2. Journalists sometimes get things wrong.3. Almost all books that are published as memoirs were initially written as novels, and then the agent/editor said, This might work better as a memoir.6. Freedom of the press belongs to the man who owns one.
Nora Ephron
If you wait until you got time to write a novel, or time to write a story, or time to read the hundred thousands of books you should have already read - if you wait for the time, you will never do it. ‘Cause there ain’t no time; world don’t want you to do that. World wants you to go to the zoo and eat cotton candy, preferably seven days a week.
Harry Crews
If I haven't put that on a T-shirt, I'm going to. Actually, I really don't want to write anything that can't be put on a T-shirt. Actually I'd like to write only on T-shirts. Actually, I'd like to write whole novels on T-shirts. So you guys could say, 'I'm wearing chapter 8 of Lestat's new book, that's my favorite; oh I see you're wearing chapter 6-
Anne Rice
A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters...
P. G. Wodehouse
«“I meant, tell me all about this steampunk thing!” Gavin broke in. “How does that concept work out for you people, here in Brazil?”
“You don’t know about steampunk?” shouted Xavier, dubiously.
“Well, I don’t read many novels! Because I’m kinda fully-booked already! But, obviously, you’re a science fiction writer at a Futurist conference! And I can see that you’re all dressed up like some fancy guy from the past, from the 19th century! So what gives with that? What is all that about?”»
Bruce Sterling
There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported,...
Flannery O'Connor