Over Quotes (page 162)
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It's like there's this wave coming toward me, but there's nothing I can do about it. And then it reaches me, crashes over me and...and I'm done for another day. I just give up. Give in to it. Because how do you stop a wave?
You don't. And you're wise to recognize your powerlessness to do so. But what you can do is learn how to negotiate this wave. Work within the context of its inevitability.
Wally Lamb
Old Nan nodded. ‘In that darkness, the Others came for the first time,’ she said as her needles went click, click, click. ‘They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins. They swept over holdfasts and cities and kingdoms, felled heroes and armies by the score, riding their pale dead horses and leading hosts of the slain. All the swords of men could not stay their advance, and even maidens and suckling babes...
George R. R. Martin
After a cup of tea (two spoonsful for each cup, and don't let it stand more than three minutes,) it says to the brain, "Now, rise, and show your strength. Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!
Jerome K. Jerome
Here I am in the garden laughingan old woman with heavy breastsand a nicely mapped facehow did this happenwell that's who I wanted to beat last a womanin the old style sittingstout thighs apart undera big skirt grandchild slidingon off my lap a pleasantsummer perspirationthat's my old man across the yardhe's talking to the meter readerhe's telling him the world's sad storyhow electricity is oil or uraniumand so forth I tell my grandsonrun over to your grandpa ask himto sit beside me for a...
Grace Paley
It was, no doubt, a "rum do"-the rummest do that had ever befallen him. The mere sensation of being clean all over would have made it that even apart from the crimson robe and the fact that his own mouth kept on uttering sounds that he did not understand and without his own consent. But it was not by any means the first inexplicable thing that had been done to him.
C. S. Lewis
Hey, manager... Some kid must have left his glove here... It has his name on it... See? Right here... Willie Mays... He wrote his name on his glove, see? Poor kid... He's probably been looking all over for it... We should have a lost and found. I don't know any kid around here named Willie Mays, do you? How are we gonna get it back to him? He was pretty smart putting his name on his glove this way, though... It's funny, I just don't remember any kid by that name..."
"Look at your own...
Charles M. Schulz
There were lot of fools at the conference – pompous fools – and pompous fools drive me up the wall. Ordinary fools are alright; you can talk to them and try to help them out. But pompous fools – guys who are fools and covering it all over and impressing people as to how wonderful they are with all this hocus pocus – THAT, I CANNOT STAND! An ordinary fool isn’t a faker; an honest fool is alright. But a dishonest fool is terrible!
Richard P. Feynman
This is why we shouldn't be afraid. There are two possibilities: One is that there's more to life than the physical life, that our souls "will find an even higher place to dwell" when this life is over. If that's true, there's no reason to fear failure or death. The other possibility is that this life is all there is. And if that's true, then we have to really live it - we have to take it for everything it has and "die enormous" instead of "living dormant," as I said way back on "Can I Live."...
Jay-Z
I am a fool," said Richard Lovat, which was the most frequent discoveryhe made. It came, moreover, every time with a new shock of surprise andchagrin. Every time he climbed a new mountain range and looked over, hesaw, not only a new world, but a big anticipatory fool on this side ofit, namely, himself.
David Herbert Lawrence
One might be tempted to extol as an advance over Sophocles the radical tendency of Euripides to produce a proper relation between art and the public. But "public," after all, is a mere word. In no sense is it a homogeneous and constant quantity. Why should the artist be bound to accommodate himself to a power whose strength lies solely in numbers? And if, by virtue of his endowments and aspirations, he should feel himself superior to every one of these spectators, how could he feel...
Friedrich Nietzsche